Rate five things you know, from any shelf. Your archetype shows up in about a minute, and gets sharper with every log.
@omni_omar · 82 logs · 11 followers · 12 following
Ironist · thin setting · rough · comedy-forward
Demo account. I like most things a bit and a few things a lot. Ask me for a recommendation in any medium.
Wit, distance, a raised eyebrow. They like work that knows what it is doing and lets they in on the joke.
Where it goes wrong: Irony is a defense. The thing you are protecting yourself from is often the thing worth feeling.
The charts and numbers behind this are under Taste.
The five this Bud would hand you first.
What the sentences on the overview are made of.
Among 649 curators with a profile.
Solid mark is what they love; hollow is what they avoid. Character vs. plot barely moves their ratings.
How far this Bud leans on each of the fourteen dimensions compared with everyone else, strongest first.
This month they were in a generous mood and drawn to comfort and warmth. From 26 logs in the last thirty days.
Year in review:2026
Empty. Add things from their pages.
8 films, all of them ironic, none of them a chore.
8 games, all of them ironic, none of them a chore.
6 series that are sparse in the best way.
One thing per medium for a friend who says they do not have time.
Profile built from 82 rated titles.
The makers at the top of their game with Misión imposible, no... lo siguiente. Rough around the edges, and the roughness is part of the charm. It is kind to its people, and that kindness is the point.
Rating key: ★★★★★ loved, ★★½ mixed.
David Brent: Life on the Road got under my skin. Genuinely funny, laugh-out-loud more than once. Already want to watch it again.
Everything I hoped Found Footage: The Making of the Patterson Project would be, and more. Cool and controlled, which makes the few swells hit harder. The setting stays sketched, so the people stay in focus.
Mostly about the performances, the craft.
Hexecutable at the top of their game with Consume Me. Scrappy and alive. Proudly pulpy and a total blast.
Nicolas Charlet at the top of their game with Alter Ego. It does not bother with a big world and does not need one.
Mostly about the performances.
Glad I finally watched Mid-Century Modern. Genuinely funny, laugh-out-loud more than once. Worth your time.
A Greek myth told by the one character everyone forgot to ask. Warm, angry, and paced like a thriller in the last third.
Mostly about the craft, the story.
Two scientists, one problem, a lot of maths, and a friendship I would die for. Read it before the film, and then read it again.
Mostly about the performances, the story.
The funniest game ever written and the puzzles are good enough that the jokes never have to carry it.
Mostly about the craft, the story.
Further out is a stronger lean than other Buds.
Each spoke is one dimension; further out means a stronger lean that way than other Buds. A big shape is a strong, unusual taste; a small one is close to the middle of everyone.
One row a medium, half a star a bar; the dashed line is the mean. Kinder to books than films? It shows here.
One bar per star rating, one row per medium. Where the bars pile up is your habit; the dashed line is your average for that medium.
The two directions taste varies most along. Archetypes cluster; Omar H. is ringed, and people they follow are outlined.
Every Bud, placed so that people with similar leans sit near each other. The two axes are the directions taste varies most along, found from all profiles. Neighbors are worth a look.
Above the line, kinder than the crowd; below it, harsher.
Each dot is a title: your stars up, the audience's average across. Dots above the line are where you were kinder than the crowd, below it harsher. A wide spread means you do not follow consensus.
Needs ratings across at least two years, with three or more in each.
Year by year, on the four strongest dimensions.
One line per dimension, one point per year: the average character of what you loved that year. A line that climbs means your favorites moved toward that pole.
