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Rate five things you know, from any shelf. Your archetype shows up in about a minute, and gets sharper with every log.
Drama, Romance 102 min PG
Rotten Tomatoes99%Metacritic100IMDb
They had a date with fate in Casablanca!
In Casablanca, Morocco in December 1941, a cynical American expatriate meets a former lover, with unforeseen complications.
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Meticulous, effortless, classical in form and resolved.
We read them all: the case for is hollis's. Marked below.
Every line is a quotation now and it still plays like a conversation. Claude Rains steals a film that Bogart was already stealing. They do not write them like this; they never did, this was the one time.
Every line is a quotation now and it still plays like a conversation. The trick is that nobody in it is trying to be immortal.
Written by TMDB members; each links to the original. Not part of Taste Buds's numbers.
**One of the best movies of all time.** Unlike some people, I believe that there are perfect movies. It doesn't happen easily, but they do exist, and I'm pretty sure this is one of them. A classic in its own right, which has withstood the test of time and continues to win sympathies today, it is one of the most outstanding films in American cinema, a work that goes beyond aesthetics, art and culture, and which, over the decades, became part of the collective memory, part of the universal cultural heritage. The film was made in 1942, in the midst of World War II, and its production was conditioned by severe restrictions on the use of raw materials considered important for the American war effort. So many of the sets are recycled, they were used in a number of other Warner films and adapted here. Another direct consequence that the war brought to this film is the huge amount of real refugees that made up the technical team and the extras, and who are deeply emotionally moved in that famous scene where the French anthem, sung with all their lungs, completely drowns out the chorus of German officers while singing a patriotic march. The script brings us a love story: Rick and Ilsa meet
Read the whole review on TMDBI've just seen this on a big screen for the first time in over thirty years - no enhancements, 4K, HD - just as Michael Curtiz saw it back in 1942 and it's a cracking piece of cinema. "Rick Blaine" (Humphrey Bogart) runs his Casablanca café as a literal oasis in the North African desert - a refuge for all sorts fleeing the oppression of the Nazis in nearby Europe. Enter "Ilsa" (Ingrid Bergman) and her husband, a Czech resistance leader "Hector Lazlo" (Paul Henried) and we discover that "Rick" and her have a past, and when the pursuing "Maj. Strasser" (Conrad Veidt) and local police chief Claude Rains ("Capt. Renault") get involved in this cocktail of deceit and duplicity things gradually come to the boil in a wonderfully evocative, sophisticated fashion. Bogart and Bergman positively smoulder; the chemistry is electric - she, as usual, doesn't actually act - she is just herself, and that's all she needs to do. Rains is great as the conniving policeman as is Veidt delivering the rather sparse, but no less potent, dialogue perfectly. Like most of the best films, the key to this is it's (seemingly effortless) simplicity - and this one also has a wonderful musical score to complement t
Read the whole review on TMDBYou must remember this... Are my eyes really brown? Casablanca is one of those films that needs no introduction - or in truth - any more in-depth dissection as to its worth. Over the years it has become one of the most quoted ever pictures (sometimes wrongly), and in reality it's arguably more iconic than it is a work of art. Although a truly "A" list production for 1942, fact is nobody in and around the film expected it to be anything other than a good piece that will put bums on the seats in the theatres. Solidly received on release and riding in on the wave of the Allies inroads into North Africa, Casablanca steadily overcame the much discussed production troubles (the script was practically rewritten daily) to be where it is now, one of the most loved film's of all time. I wouldn't mention Paris, it's poor salesmanship! So what is it about Casablanca that makes it so cherished and adored by each and every generation?. I just know that each time I view it (yearly) it's like falling in love again, each viewing brings a new and emotionally driven fulfilment. Tears flow, sad ones and happy ones, an overriding feeling that romantic idealism isn't dead, to which Casablanca becomes my
Read the whole review on TMDBChecking availability…
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Closest on the same fourteen dimensions, from everything scored on Taste Buds. Other media included when they land close.
Recommendations from TMDB. Opening one adds it to Taste Buds
118 profiled raters. Loved most by The Prestige Hunters; disliked most by The Ironists.
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“Is Humphrey Bogart the best thing in Casablanca?”
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If you loved this film, the television, the book, the music, the game.
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