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Hear him sing Mammy, Toot Toot Tootsie, My Gal Sal, Mother I Still Have You.
A young Jewish man is torn between tradition and individuality when his old-fashioned family objects to his career as a jazz singer. This is the first full length feature film to use synchronized sound, and is the original film musical.
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Meticulous, earnest and grave.
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Al Jolson's "Jakie" is to be the sixth in a line of cantors from the Rabinowitz family. He has a fine voice and some musical talent - he just wants to take them to Broadway instead of to the synagogue. His father (Warner Oland) is horrified, his mother (Eugenie Besserer) disappointed but he still decides to follow his star! He loves the music of the 1920s - jazz, ragtime, swing - and changing his name to "Jack Robin" and after a decade of slogging, and travelling the world, manages to enlist the help of established star "Mary Dale" (May McAvoy) and look set to get his very own "Follies" show on stage. With less than 24 hours to go, his father's rather malevolent friend "Moisha" (Otto Lederer) shows up to tell him that his dad is poorly and that there is nothing the old man would like better than for his son to sing at the Day of Atonement - the same day as the show! Now we know that the last encounter between the father and son had led to the latter banishing the former from their home, so what might the younger man do now? Much is made of the last few scenes from this film, but I think this story is more interesting when we consider that the real thrust of it has nothing at all to
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Closest on the same fourteen dimensions, from everything scored on Taste Buds. Other media included when they land close.
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