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Growing up isn't the problem... forgetting is.
Based on the best-seller book 'The Little Prince', the movie tells the story of a little girl that lives with resignation in a world where efficiency and work are the only dogmas. Everything will change when accidentally she discovers her neighbor that will tell her about the story of the Little Prince that he once met.
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Contemplative, nostalgic, meticulous and character-led.
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Written by TMDB members; each links to the original. Not part of Taste Buds's numbers.
Have you ever felt like adulthood slowly turned into an endless spreadsheet of chores and schedules? That's exactly the main question posed by The Little Prince (2015). It's a movie that invites us to rescue our inner child, who's been buried under bills, goals, and robotic routines. Let's dive into how one of the greatest classics in world literature was reimagined for the big screen-a visual journey that promises to make even the most cynical adult rethink their priorities. One of the best things about the movie is how the art direction works to tell the story; it's not just there to look pretty. Using two totally different animation styles perfectly separates the two worlds. The modern world of the Little Girl and her mom is done in traditional CGI, full of straight lines, sharp angles, cookie-cutter houses, and a dull, oppressive gray color palette. On the flip side, when the classic story of the Little Prince kicks in, the movie switches to a gorgeous, tactile, and organic stop-motion. Using papier-mâché, clay, and wood textures to mimic Saint-Exupéry's original watercolors, the film visually separates the mathematical rigidness of the adult world from the magical fragility of
Read the whole review on TMDB> Growing up is not the problem. Forgetting is. I usually love the French animations, because unlike American, the stories, musics, characters that influences the thousands of year cultural history. Definitely not comparable to the Hollywood standards, but it had its own technical brilliance. All I wondered was why this film was in English language. It deserves to be on the upcoming's big occasion (2016 February), if it is eligible for the American Academy Awards. From the director of 'Kung Fu Panda' original movie, which was partially based on the children's novel. The book adaptation is the stop-motion animation and the remaining story's the regular 3D animation. Just remember the movies like 'What Dreams May Come' and 'The Lovely Bones', those magical worlds and breathtaking landscapes. Usually animations are associated with comedy genre, especially when a child character attached to it. This film was not even a comedy, more like those two titles I mentioned. The screenplay wise it was a very 'Neverwas' type, except this one was an animation. But appropriate for people of all ages. The kids can realise the importance of their childhood and the older people can become kids again.
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