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In much wisdom there is much grief.
An expansive Russian drama, this film focuses on the life of revered religious icon painter Andrei Rublev. Drifting from place to place in a tumultuous era, the peace-seeking monk eventually gains a reputation for his art. But after Rublev witnesses a brutal battle and unintentionally becomes involved, he takes a vow of silence and spends time away from his work. As he begins to ease his troubled soul, he takes steps towards becoming a painter once again.
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Prestige, contemplative, epic and demanding.
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Written by TMDB members; each links to the original. Not part of Taste Buds's numbers.
Later canonised (in 1988!), this tells the story of the renowned Russian iconographist and fresco painter. His actual life, as you might expect from the early 15th century, is not well documented so Andrei Tarkovsky has, forgive the pun, a pretty blank canvas on which to draw us a portrait of the trials and tribulations of this inspired, misunderstood, suspected and troubled soul. It has an octuple, episodic, narrative that marries his own development as a man and an artist with the quite literally revolutionary goings on as his country is, frequently quite brutally, coming into some some semblance of cohesive existence. It focuses on the role of the church in this most religious, and superstitious, of nations and offers us a much less aggressive correlation between the communist Soviet threads so often prevalent in sate backed movies made at the time and of those iconic figures so prominent in Russian history. The imagery is creatively bamboozling at times; the story doesn't follow any linear a-b-c narrative and we are presented with an oblique interpretation not just of his life, but of life in an embryonic nation that is emerging from an almost primitive existence - and that is
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Closest on the same fourteen dimensions, from everything scored on Taste Buds. Other media included when they land close.
Recommendations from TMDB. Opening one adds it to Taste Buds
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“Is this Andrei Tarkovsky's best work?”
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“Is Andrei Rublev harder work than it needs to be?”
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“Is the slow pace a feature rather than a flaw?”
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If you loved this film, the television, the book, the music, the game.
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