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When an innovative modern architect flees post-war Europe, he is given the opportunity to rebuild his legacy. Set during the dawn of the modern United States (in Pennsylvania), his wife joins him, and their lives are forever changed by a demanding, wealthy patron.
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Contemplative, prestige, meticulous and overwhelming.
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Written by TMDB members; each links to the original. Not part of Taste Buds's numbers.
<em>'The Brutalist'</em> is simply outstanding. The biggest compliment I can pay it is that the run time of 215 minutes (!) comes and goes in a flash, the interval at ~1h 40m hit me like a brick! It's a perfect example of not overthinking run times, as long as what's onscreen is good it'll fly by. I'm not going to be able to add anything fresh to it what has already been lauded about this film, all I can say is that every inch of praise is unequivocally warranted. In regards to the Oscars, I agree that <em>'Anora'</em> smashed it out of the park greater but it's a close run thing. Two spectacular movies! Adrien Brody's performance is indeed sensational, he is an actor I've seen in bits down the years and have always been impressed so I loved be able to see him act front and centre in such a grand, tremendously made picture. He nails every part of László Tóth. I couldn't imagine any other actor in the role. Guy Pearce is also a brilliant performer here, obviously <em>'Momento'</em> remains his best work (that I've seen, anyway) but this is the greatest I've seen from Pearce away from that Christopher Nolan flick. He is superb! Joe Alwyn and Felicity Jones merit praise too. Nice to s
Read the whole review on TMDBThe Brutalist is a slow-burn period drama that dives deep into the personal struggles of an immigrant protagonist driven by artistic ambition, trying to belong in a systematically adverse society. Through a mesmerizing, award-worthy performance by Adrien Brody, the filmmaker Brady Corbet focuses on the character's journey - navigating discrimination, family estrangement, and drug addiction - which is a compelling, intimate study of resilience. The architectural backdrop of a landmark institution being constructed serves as the main narrative that, while visually stunning through Lol Crawley's impeccable cinematography, ultimately fails to hold the same weight as the personal story, despite the evident parallelisms and metaphors. Daniel Blumberg's immersive score adds a layer of tension, creating an emotional undercurrent that enhances the viewing experience despite the slow pacing. The three-hour-and-a-half runtime can feel like a test of patience at times, especially with certain moments feeling repetitive or redundant. However, The Brutalist ultimately justifies its length, with the intermission offering a much-needed break in the otherwise epic storytelling. Personally, I feel l
Read the whole review on TMDBDid this really need to be 3½ hours long? Well, no - I don't think so. As far as it goes, though, it features a stunning performance from Adrien Brody as fictional Hungarian architect "Tóth" who has manages to survive some torrid wartime experiences in Europe and make it to New York. He has family there, and that's the conduit to a meeting with the wealthy "Van Buren" (Guy Pearce) who decides that he wants him to design a public utility building - think Hearst Castle only without any style or shape to it. Indeed the title could very well be applied to his fascist style of bleak and angular artistry, but his new benefactor is prepared to commit £850,000 to the project so he's delighted. That's clearly to the chagrin of "Harry" (How Alwyn) whose role here is that of a meddlesome provoker as he he constantly tries to intervene between the architect and his father. "Van Buren" senior also manages to facilitate his repatriation with wife (Felicity Jones) and her niece "Zsófia" (Raffey Cassidy) but that doesn't quite go to plan either, and soon seems to further pile on the increasing misery for a "Tóth" who is treading on eggshells on all fronts now as he tries to build his charm-free ed
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