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Drama 123 min R
Rotten Tomatoes96%Metacritic88IMDb
Two unmarried women who have become pregnant by accident and are about to give birth meet in a hospital room: Janis, in her late-thirties, unrepentant and happy; Ana, a teenager, remorseful and frightened.
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Parallel Mothers: Ghosts That Won't Be Buried Pedro Almodóvar has always had something to say, but "Parallel Mothers" may be his most ambitious statement to date. This is a film that operates on multiple registers simultaneously: a motherhood story wrapped inside a love triangle wrapped inside a political warning so urgent it reverberates far beyond Spain's borders. The story of mothers and babies here is no mere melodrama. It's a direct metaphor for the mothers whose children were "disappeared" under Franco's fascist regime, stolen and never returned, their fates buried in unmarked graves that Spain has been reluctant to excavate. Almodóvar understands that allowing a fascist government is not without future consequences. Failing to understand history will doom your children and grandchildren to a future you would never want for them. This is a clear warning for the USA to rise up against fascism, and equally for France, the UK, and other Western democracies flirting with authoritarianism. Spain is not the only country haunted by this "Memory." Patricio Guzmán's "Nostalgia for the Light" (2010) explored similar terrain in Chile, documenting how Pinochet's "disappeared" continue to
Read the whole review on TMDBParallel Mothers bespeaks a creative fatigue on the part of writer/director Pedro Almodóvar. Not only is it too similar to his very uneven Julieta from just six years ago, but also rather hard to take seriously – and there is no reason that we should have to or even that he would want us to; the Switched at Birth trope is the stuff of soap operas, and that’s precisely why it would work wonderfully, as that sort of material has in the past, in one of his comedies, but here Almodóvar actually plays it straight, and he goes as far as to throw in a Guerra Civil subplot just so there is no doubt that he means business, and that It Would Be Wrong for us to laugh at this implausible melodrama (though it may be the first melodrama wherein a shot of curtains blowing in the wind actually leads into a lovemaking scene as opposed to standing in for it). At least Julieta had the benefit of brevity. Conversely, Mothers has some glaring time management issues that result in an unjustifiable 120-minute length. Consider this: Teresa has to tell her daughter Ana that the play she’s starring in is going on a tour of the provinces, as a consequence of which the former is going to leave the latter alon
Read the whole review on TMDBFULL SPOILER-FREE REVIEW @ https://www.msbreviews.com/movie-reviews/parallel-mothers-spoiler-free-review "Parallel Mothers holds an unexpectedly shocking narrative about motherhood, featuring two remarkable performances from Penélope Cruz and Milena Smit. Despite some dull soap-opera moments and a few uninspiring technical attributes, Pedro Almodóvar offers a captivating, genuine, emotionally powerful story that puts the spotlight on imperfect mothers. Boasting clear direction and a no-nonsense approach, the eponymous parallelism is continuously present throughout the runtime, making this a consistent viewing. Definitely, a worthy awards contender for Spain." Rating: B
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