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Innocence has a power evil cannot imagine.
In post–civil war Spain, 10-year-old Ofelia moves with her pregnant mother to live under the control of her cruel stepfather. Drawn into a mysterious labyrinth, she meets a faun who reveals that she may be a lost princess from an underground kingdom. To return to her true father, she must complete a series of surreal and perilous tasks that blur the line between reality and fantasy.
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Meticulous, overwhelming, bleak and open-ended.
Guillermo del Toro at the top of their game with Pan's Labyrinth. Meticulously made; every detail is placed with care. It leaves room for you, and I love that. This one is going to stay with me.
A few lines from each review; the whole review is on the critic's site. Not part of Taste Buds's numbers.
"Pan's Labyrinth" is a political fable in the guise of a fairy tale. Or maybe it's the other way around.
Data provided by The New York Times.
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Closest on the same fourteen dimensions, from everything scored on Taste Buds. Other media included when they land close.
Recommendations from TMDB. Opening one adds it to Taste Buds
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“Is this Guillermo del Toro's best work?”
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“Is Pan's Labyrinth emotionally manipulative?”
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“Does Sergi López steal Pan's Labyrinth from Ivana Baquero?”
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82 profiled raters. Loved most by The Provocateurs; disliked most by The Archivists.
If you loved this film, the television, the book, the music, the game.
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