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James Bond’s all time high!
James Bond is sent to investigate after a fellow “00” agent is found dead with a priceless Fabergé egg. Bond follows the mystery and uncovers a smuggling scandal and a Russian General who wants to provoke a new World War.
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Resolved, unpretentious, epic and effortless.
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This is my favourite Roger Moore outing as Ian Fleming's "007". A good, solid adventure story with Louis Jourdan as the ruthless, scheming "Kamal Khan" and Maud Adams as the equally ruthless, but far more glamorous "Octopussy" who are both involved in some seriously high-end jewel smuggling to fund a Soviet nuclear attack on NATO by the rogue Steven Berkoff (“Gen. Orlov"). The action flows quickly and smoothly, with some fun cameos from a racket-wielding Vijay Amritraj and Albert Moses as a sort of lethal "Oddjob" in a turban. Sure, there are plenty of double-entendres but there is also a much better cohesion to the story than with many of the others, less crass innuendo - actually a decent thriller lurking underneath the traditional "James Bond" wrapping that is largely down to strong, characterful, performances for the quartet of baddies and a good script for Moore to deliver with more than a soupçon of glint in his eye. An under-rated theme song from Rita Coolidge (via Messrs. Barry & Rice); some decent aerial photography at the start and cracking locations all contribute strongly too.
Read the whole review on TMDBI don't mind Moore as Bond, he's certainly not my favorite, I'm not the biggest fan of the silliness, but he has some 007 films that would make my top 10 list and... ... this is NOT one of them. In the only thing I want to write in this review is "It is so unbelievably bad." And not like Moonraker way to over-the-top even for a 007 film bad, but just absolutely horrible bad. And Moore was clearly a bit too old to play 007 at this point. So he kind of looked like Grandpa 007. And that doesn't work too well for stunts (ask Liam Neeson), it sort of makes it unbelievable. And then there is the plot that was a little too.... done before to be really good. It took elements from several other 007 films, strung them all together, and hoped no one would notice. And by Octopussy, the Moore era silliness was starting to wear thin, especially after films like The Spy Who Loved Me and For Your Eyes Only, that underplayed that aspect enough to make truly great installments to the franchise.
Read the whole review on TMDB_**Roger Moore, Indiana Jones, India, Germany, Circuses, Russians, Trains, Time Bombs and Babes**_ Roger Moore's stint as James Bond lasted a whopping 12 years from 1973 to 1985. Moore started as Bond when he was 45 years old and ended when he was 57. The seven films he did are as follows: LIVE AND LET DIE (1973), THE MAN WITH THE GOLDEN GUN (1974), THE SPY WHO LOVED ME (1977), MOONRAKER (1979), FOR YOUR EYES ONLY (1981), OCTOPUSSY (1983) and A VIEW TO A KILL (1985). All seven were hugely popular at the box office, which explains why they kept making 'em every two years. Many Bond fans curiously look down on Moore's stint, no doubt because there was a little too much silly humor in his films but, to me, the Moore entrees are the most consistently entertaining. There's not a dud in the bunch; even the heavily maligned “Moonraker” is phenomenal. The Connery films were a little more serious, with the exception of “Diamonds are Forever,” and Sean is the quintessential Bond figure because he expertly established the role, but I ENJOY Roger Moore's stint more than any of the others. His movies have the most re-watch merit for me. Some argue that by the time of “Octopussy” Moore was too "
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