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Where all the other Bonds end… this one begins!
After Drax Industries' Moonraker space shuttle is hijacked, secret agent James Bond is assigned to investigate, traveling to California to meet the company's owner, the mysterious Hugo Drax. With the help of scientist Dr. Holly Goodhead, Bond soon uncovers Drax's nefarious plans for humanity, all the while fending off an old nemesis, Jaws, and venturing to Venice, Rio, the Amazon...and even outer space.
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Epic, resolved, unpretentious and effortless.

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Written by TMDB members; each links to the original. Not part of Taste Buds's numbers.
This has the great 007 elements, but misses a bit. We get the wit, we get the beautiful women, we get the gadgets, we get the non stop action, and we even get Jaws, a fan favorite, back. Jaws even gets to speak. Maybe it was in the contract. What is missing is the exotic locations and beautiful scenery. We do get outer space and jungles and water, but we don't quite get the exotic beauty that makes Bond films so spectacular. While the cinematography is not as good as others in the hay day, it does still beat the 21st century Bond movies which are so dull. Here, the victim is a maniac intent on genocide. His plan is insane, but he's a tycoon and that just makes him "eccentric" to other VIPs. The big scene is possibly during a festival, when Bond is accompanied by a beauty who keeps lookout while he goes into a building. The beauty notices a tall masked character edging ever closer to her. There's also the space battle, which doesn't work as well as the underwater battle of Thunderball, but it isn't bad. The direciton is pretty solid. It's just not a great milieu for a cinematic battle. All in all,it's an exciting film that gets hate from those who are jealous of entertainment that w
Read the whole review on TMDBNow my geography isn't great, but I am not sure you can actually fly from the Yukon to the British coast in fifteen minutes! That's how this outing for Roger Moore begins, and it's symptomatic of the rather weak storyline and sloppy production that seems intent on getting "James Bond" to capitalise on "Star Wars" (1977) fever. Anyway, a space shuttle is stolen and "007" is sent to visit gazillionaire industrialist "Drax" (Michael Londsale) who lives in a genuinely imported French chateau in California. A dizzying experience introduces him to "Dr. Goodhead" (Lois Chiles) and pretty soon the pair, after a bit of a sticky start, are trying to find out what happened to the missing spaceship and to thwart an ingenious plan to replace the population of the planet with an Aryan-style perfect race. Everyone here just looks tired. Lonsdale tries hard to inject some sort of menace but the rest of it lumbers along in an episodic fashion with a couple of set-piece escapades that are frequently let down by poor visual effects (the dogs eating the steaks, or the gondola chase - where they have clearly just speeded up film...). John Barry and Hal David delivered another number for Shirley Bassey
Read the whole review on TMDBOne of the best of the Moore era I steered clear of “Moonraker” (1979) for years because critics almost unanimously said it was awful. So when I finally sat down to view it I fully expecting a dog. Wrong! “Moonraker” is thoroughly entertaining from beginning to end and is one of the best of Roger Moore's 7-movie stint in the series. The plot revolves around 007 investigating Hugo Drax (Michael Lonsdale) after a space shuttle on loan to the British is stolen. James slowly discovers that Drax has a mad scheme to recreate a race of perfect human specimens. The giant Jaws (Richard Kiel) returns from “The Spy Who Loved Me” (1977) as Bond teams-up with the beautiful Dr. Holly Goodhead (Lois Chiles). The story climaxes with a spectacular battle at Drax' space station. Everything in “Moonraker” is over the top: The locations, the action, the villainous scheme, the humor, the seriousness, Jaws and the space finale. This works fabulously because Bond films were never meant to be deep, thought-provoking pieces of art, but rather grandiose pieces of thrilling eye candy with an amusing sense of the absurd. One thing that I demand in any Bond adventure is great globe-trotting and spectacular loc
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Closest on the same fourteen dimensions, from everything scored on Taste Buds. Other media included when they land close.
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26 profiled raters. Loved most by The Thrill Chasers; disliked most by The Prestige Hunters.
If you loved this film, the television, the book, the music, the game.
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