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Four years after the events of Halloween in 2018, Laurie has decided to liberate herself from fear and rage and embrace life. But when a young man is accused of killing a boy he was babysitting, it ignites a cascade of violence and terror that will force Laurie to finally confront the evil she can’t control, once and for all.
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Unpretentious, raw, contemplative and bleak.
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Written by TMDB members; each links to the original. Not part of Taste Buds's numbers.
My favourite of the most recent three, if not of them all. <em>'Halloween Ends'</em> gave me more than I was expecting, if I'm honest. After the solid if slightly underwhelming <em>'Halloween Kills'</em> I thought this may fall further adrift but, happily, it doesn't. I think that I like this the most of all twelve entries after the original, which is probably still a jot above this one in my mind. I won't repeat myself too much as I've summed up my overall thoughts on this franchise in prior reviews of those other flicks, but in short I enjoyed this release more consistently throughout and the characters actually interested me a fair amount. Jamie Lee Curtis is, obviously, the star of the show, but Rohan Campbell is a great addition and Andi Matichak gives her best showing of these David Gordon Green films. In previous installments the cast behind (or sometimes in place of) Curtis have failed to truly entertain me, perhaps aside from the first one and (minimally) <em>'Halloween H20: 20 Years Later'</em>, but here I was happy to follow the scenes involving those behind Curtis. I will say that the third act lost me a little in terms of interest, though that's only ever so slightly a
Read the whole review on TMDBWell there is a hewn-out pumpkin that looks ever so slightly scary... Otherwise, this is just one "Halloween" movie too many and it's only scream yells "put me out of my misery" pretty much from the start of this slow and plodding denouement to the franchise. Rohan Campbell ("Corey") is bullied by some kids who end up shoving him from a bridge. He is dragged into the storm drains by you know who and emerges a man possessed. He has also attached himself to "Allyson" (Andi Matichak) who just happens to be the daughter of long suffering "Laurie" (Jamie Lee Curtis) and after a bit of hysteric family melodrama, all of her demons are flee-flowing and we are heading, slowly and ponderously to a conclusion that the best of which has already been seen many times in the trailers. This is far too long, virtually nothing happens until the last fifteen minutes and even then, there isn't even the vaguest hint of menace or jeopardy. The production is adequate, but JLC doesn't really feature often enough - as in "Halloween Kills" (2021) to make much impact - and the whole thing is episodic and smacks of made for television. Please let it be the final instalment - this bears no resemblance whatsoev
Read the whole review on TMDBIt's a sad state of affairs when HALLOWEEN ENDS (2022) is being classed as a "bad", "terrible" or "disgraceful" motion picture and I worry for cinema as a whole if the only direction the mass want is nothing but cookie-cutter. This film is a straaaaaaange beast and it probably holds the world record for the quickest development of a relationship on screen. Bloody hell, I wanted that relationship to succeed. I'm going to be controversial here... did we need Michael Myers at all here? Maybe the 2 or so scenes we get in the sewer early into the film and that's it... maybe pass the evil on and Michael die of his wounds. The evil is contagious element worked for me and Corey (played by Rohan Campbell) was the standout character. Issues? Yes, there are some - the narration and memoir aspect weren't needed and Corey's mum... erm, I'll leave it there. But I admire this film, oh boy do I. I'd rather the risk be taken than them fall back into the same old routine. Now, before I start the Corey Appreciation Society, all I have left to say is... give a new biscuit a try.
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