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Horror, Thriller 106 min R
Rotten Tomatoes79%Metacritic67IMDb
You don't believe in the Boogeyman? You should.
Laurie Strode comes to her final confrontation with Michael Myers, the masked figure who has haunted her since she narrowly escaped his killing spree on Halloween night four decades ago.
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Nostalgic, resolved, bleak and unpretentious.
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Written by TMDB members; each links to the original. Not part of Taste Buds's numbers.
"Halloween" basically ignores all but the first movie. Think of the way that various Godzilla reboots worked. It's an interesting approach and does wipe out the atrocious "Halloween: Resurrection" from continuity, at the very least. I really wanted to like this movie a lot more, being a big fan of John Carpenter's original, but I can only say it's okay or fair. It starts out pretty strong, with an unsettling opening scene and elements like the title sequence being a direct homage to the original film ("Halloween III" playing on a TV is great call back to the first "Halloween" playing on a TV in "Halloween III") but some questionable choices get made and it seems to lose its way as the movie progresses. The characterizations of several characters are inconsistent, switching back and forth between badass and panicky. The lead teenage character who we think the torch is going to be passed to just doesn't cut it. And the end is quicker than I would have expected, feeling a little unsatisfying and reminiscent of "H20". See it if you're a fan of the series. Other may be left feeling a little letdown.
Read the whole review on TMDB"A worthy successor" 40 years after the events in ‘Halloween’ (1978) Laurie Strode faces off once again with Michael Myers. Strode has been preparing for 4 decades for an eventual showdown with Myers. Of course Michael escapes and it’s only a matter of time before the 2 meet. Strode’s doomsday prepper storyline is a bit far-fetched but that doesn’t make it less entertaining. Jamie Lee Curtis makes a triumphant return as Laurie Strode. It also marks the return of Nick Castle as Michael Myers. And Myers lives up to his reputation. His killings are more brutal than ever. Director David Gordon Green executes it almost perfectly. A lot of killings happen offscreen but you get to see the horror afterwards. And there’s of course the delicious tracking shot where Myers returns to Haddonfield. The camera follows him through a suburban home where he slaughters someone. The camera follows him back onto the street and into the next house to kill again. Michael’s introduction in the psych ward is also pretty memorable when all the psychos start to go… psycho. After that sequence we get the opening credits with the iconic theme. Brilliant. Credit has to go to writer Danny McBride. He respects th
Read the whole review on TMDBA semi-welcome return. Not the greatest horror film to hit theater screens this year but certainly not the worst. It unfortunately lacks the finality that the original had but still proves to be an effective entry in a franchise known for its inconsistency in quality. I can’t call myself a fan of the franchise but I am a fan of the original film and this sequel transfers the formula made famous by said film pretty well to a Generation Z audience. There are plenty of callbacks to the first entry (one of the victims even being a babysitter) and they all work incredibly well. There unfortunately isn’t that much tension. Most, if not all of the scares are executed brilliantly but the fights between Michael Myers and his victims are pretty disappointing. The gore is awesome; can’t really complain much about that. Subplots are handled poorly; despite already being in motion, they end pretty quickly which is a letdown. Writing is fine..good, not great. Humor is handled well though. Serviceable to fans new and old. It’s evident that Blumhouse knows how to make horror movies and that’s the big takeaway here. The new score is brilliant. One of the best I’ve heard all year, in fact. Enjoyable
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Closest on the same fourteen dimensions, from everything scored on Taste Buds. Other media included when they land close.
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