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Love will give you life.
During the rise of fascism in Mussolini's Italy, a wooden boy brought magically to life struggles to live up to his father's expectations.
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Meticulous, prestige, overwhelming and character-led.
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Written by TMDB members; each links to the original. Not part of Taste Buds's numbers.
More true to the original vibe of the story than the Disney version but the parallels of the Italian fascists could have had more of an impact. The family tragedy did have an impact though which was very moving. The idea of 'Love will give you life' is great but as we all know, isn't true which hindered any inspiration. It would be great if there were good and (fairly) evil spirits (and if there were I'd like mine played by Tilda Swinton please) but there aren't - that shouldn't take away from the story but it doesn't work as a life lesson. The darkness was great but needed more fascism (not a phrase I use that often!) I liked the film but it seemed to evade all age groups; too scary for under 12s, too slow for 12 - 15, not gripping enough for 15-18 and not enough parallelling with the rise of fascism or Tilda Swinton for over 40s. Lovely score, lovely stop motion which we don't see enough of nowadays. Lots of potential not quite reached in terms of Ewan McGregor and plot. Cutting room floor: inside the whale and (unless you're going to do it as a main theme), the fascist element. Lovely score, lovely animation.
Read the whole review on TMDBIt's good, even if I wouldn't say it's anything better or worse than its Disney animated counterpart - at least it is a marked improvement on that aforementioned company's remake, mind. The big win of <em>'Guillermo del Toro’s Pinocchio'</em> is the stop-motion animation, which is extremely nice indeed. As for everything else? Nothing leaps out of my mind if I'm honest, even within 30mins of watching it. I personally found the design of the titular character to be 'just' OK, same goes for Sebastian J. Cricket & Co. I did like the casting of Ewan McGregor and David Bradley, particularly the latter. Christoph Waltz, meanwhile, is alright in his role. The more serious vibe of the film is a positive, though I don't think it comes across as deep as it intended (e.g. that last line from Cricket isn't, in my opinion, as effective as the film seems to think it is). As for the music: fine but forgettable, for me. Again, it's passable. I just unfortunately didn't overly care as much as I wanted to for this story and its characters. The 1940 film did it slightly better, fwiw.
Read the whole review on TMDBI didn’t even know that Guillermo del Toro had made an adaptation of Pinocchio until my daughter and oldest son told me they wanted to watch it during our traditional movie evening yesterday. Wow, that was a different take on Pinocchio indeed. Pinocchio, the original, is not surprisingly, one of the movies I watched as a kid and which is quite dear to me. A movie from the time when the name Disney actually meant something and when they made actual family movies instead of woke crud for the small but loud-mouthed and fanatical minority. Needless to say I have not even contemplated to watch Disney’s latest remake of the original. But then, Guillermo del Toro movies I often like and, well, the kids (who are also very anti-woke) wanted to watch it so I did not have much choice but to watch it. I do indeed have some reservations about the theme used in the movie but overall it was a good movie. The movie is more geared towards adults or at least young adults than Disney’s original. It is much more dark and less humorous. But then, with Guillermo del Toro at the helm that is not really a surprise is it? Since I did not know anything about this movie until I started to watch it I sat thro
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