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A towering and fearless love story chronicling the lifelong relationship between Leonard Bernstein and Felicia Montealegre Cohn Bernstein. A love letter to life and art, Maestro at its core is an emotionally epic portrayal of family and love.
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Contemplative, character-led, prestige and meticulous.
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This biographical movie about Leonard Bernstein is directed and written by Bradley Cooper (and Josh Singer - “Spotlight”) and produced between others by Martin Scorsese (that declined to direct it after seeing “A Star is Born” and to be able to film the Irishman) and Steven Spielberg. It stars Bradley Cooper as Leonard Bernstein an Jew American conductor and composer (1918–1990) and Carey Mulligan as Felicia Montealegre Bernstein American actress (1922–1978) who married Lenny in 1951, by social convenience of that epoch. Leonard Bernstein had a brilliant career playing in Broadway (West Side Story is by him), Carnegie Hall and New York Philharmonic and had also an intense career on teaching, having intense presentations that showed his true love for music - it was also a controverse person, with a very active social live and gay. Not shown in the movie, that he holds a cigar in almost every scene we had asthma (being dismissed in WWII) developed emphysema, dying from a heart attack from a mesothelioma tumor. Felicia Montealegre Bernstein was a Jew actress from Chilean origins that met Leonard while at a party in 1946 - it was also a true love into Leonard's life, even with his sexu
Read the whole review on TMDBA great talent deserves a great biopic. Regrettably, in the case of the late conductor/composer/musician Leonard Bernstein, he doesn’t get it. Writer-actor-director Bradley Cooper has made a film that I’m sure he thinks of as his cinematic masterpiece when, in fact, it comes across more like a tribute to the filmmaker’s own ego than as an homage to his subject. Perhaps the biggest problem here is the screenplay, which can never really decide if it wants to be a litany of the accomplishments of the artist (Cooper) or a love story between him and his adoring wife, Felicia (Carey Mulligan). The constant switching back and forth between the two leaves viewers wondering which will be the focus that the director settles on. Then there’s Cooper’s increasingly hammy overacting, which grows progressively annoying as the film plays out, a performance riddled with knowing looks of “I know I’m going to get awards nominations for this portrayal.” Add to that a somewhat inexplicable shift from monochrome to color cinematography, and audiences are left further pondering the filmmaker’s cinematic motivations while simultaneously having to contend with notably underdeveloped depictions of the chara
Read the whole review on TMDBI don't know if maybe "Bohemian Rhapsody" (2018) or "Rocketman" (2019) have made me a bit immune to the rather hedonistic lifestyles of the musical rich and famous, but I found this beautifully photographed depiction of the life of the enigmatic Leonard Bernstein to be remarkably tame. The monochrome presentation is glorious to look at, but the narrative is weak, I found. Carey Mullian, his long-suffering wife Felicia Montealegre is easily the most meritorious of praise here. She portrays the increasingly frustrated, betrayed yet still loving woman with a strength and subtlety that is really engaging - especially towards the end of the film. Cooper, on the other hand - well, was he meant to be mimicking Barry Manilow or Tony Bennett? We learn very little about what made the man tick, about what made his sexuality such a big deal for him? The other characters come and go with little context to illustrate their roles in his life, his role in their's and with the possible exception of their eldest daughter Shirley (Sarah Silverman) there is no conversation to be had about just how this marriage of convenience was established or managed. It's also largely devoid of his most famous musi
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“Does it take too many liberties with the true story?”
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