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Horror, Thriller, Mystery 109 min R
Rotten Tomatoes97%Metacritic97IMDb
A new and altogether different screen excitement!
When larcenous real estate clerk Marion Crane goes on the lam with a wad of cash and hopes of starting a new life, she ends up at the notorious Bates Motel, where manager Norman Bates cares for his housebound mother.
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Bleak, meticulous, intimate and overwhelming.
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Written by TMDB members; each links to the original. Not part of Taste Buds's numbers.
The fact that i literally watched half of this movie in an airport does not deduce from this movie's undeniable cheek, ascending it to almost charming. I've very little to say despite loving this film so much. Anthony Perkins supplies a riveting performance that must be the best in all of cinema, and the twists and turns of this smart thriller are incredible, and keep you hooked until the final cruel turn. The thing that elevates this above Hitchcock's other works for me is how he sets up his MacGuffin, a term he coined, and then actually destroys the object he invented himself to keep audiences hooked! There is a great deal more to this film than the shower scene and Norman Bates's villain role, with the chilling and exciting atmosphere and jagged strings easily making it my 2nd favourite film of all time.
Read the whole review on TMDBThere is so much more to this film than just that famous scene in the shower - and so much of it belongs to the marvellous scoring of Bernard Herrmann. His ability to use those screeching strings, and the pace of his music does so much of the heavy lifting that gives this film a sense of accumulating menace that makes it still, after over 60 years, a masterful piece of cinema. Janet Leigh wants to make a go of things with her cash-strapped hunky boyfriend "Sam" (John Gavin) so when an unexpected opportunity arises at work that puts $40,000 in her lap, she skips town and takes refuge during a thunderstorm at the "Bates" motel where she encounters "Norman" (a very handsome looking Anthony Perkins). The rest you will just have to watch for yourself, but the story has just about everything you could want from a thriller: a fella with a bit of a "mummy" syndrome; some good old fashioned larceny; lust and though I didn't quite love the ending, it is a superbly dramatic piece of well considered and constructed cinema that cleverly builds on what is quite a simple story with a strong and convincing cast. Big screen if you can; that house on the hill looks more eery that way. Great stuff!
Read the whole review on TMDB“We all go a little mad sometimes. Haven't you?” A Phoenix secretary, Marion Crane (Janet Leigh), embezzles $40,000 and rashly flees town, ending up at a remote motel in Fairvale, California, where she encounters the eccentric Mama’s boy Norman Bates (Anthony Perkins). Mixed into this web is a private investigator (Martin Balsam), Marion’s sister (Vera Miles) and Marion’s secret beau (John Gavin). Directed by Alfred Hitchcock based on Robert Bloch’s book, “Psycho” made a huge impact when it was released in 1960. It contains a plot development that was groundbreaking at the time shared by England’s “City of the Dead” (aka “Horror Hotel”), which went into production six weeks earlier than “Psycho” and was released in the UK at the same time, but not in America until 2 years later. While they’re both good, “Psycho” is way superior. It was followed by three sequels (1983, 1986 and 1990), the last being a semi-prequel, all starring Anthony Perkins as Norman with Vera Miles returning for the first one. One thing I don’t like is that it was shot in B&W. Check out the sequels and the 1998 remake to observe the same settings in living color. The film runs 1 hour, 49 minutes and was shot pri
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“Is this Alfred Hitchcock's best work?”
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83 profiled raters. Loved most by The Provocateurs; disliked most by The Comfort Seekers.
If you loved this film, the television, the book, the music, the game.
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