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Drama, Thriller, Romance 110 min NR
Rotten Tomatoes85%IMDb
Hers was the deadliest of the seven sins!
A socialite marries a prominent novelist, which spurs a violent, obsessive, and dangerous jealousy in her.
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Bleak, spare, overwhelming and meticulous.
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Written by TMDB members; each links to the original. Not part of Taste Buds's numbers.
Yikes, talk about an internecine plot! This is certainly a story that requires concentration as the machinations of "Ellen" (Gene Tierney) take their toll on just about everyone around her. She meets the young writer "Richard" (Cornel Wilde) on a train when he encounters this enigmatic young woman who happens to be reading his latest novel. A whirlwind romance ensues that sees her dump her fianceé, marry "Richard" and return to his cottage along with his crippled brother "Danny" (Darryl Hickman). The green eyed monster soon rears it's ugly head - "Ellen" isn't the sharing type, and when "Danny" is inexplicably drowned they move home, she has a miscarriage and then they split up. Still determined, "Ellen" plots a dastardly scheme to ensure that his new friend "Ruth" (Jeanne Crain) ends up in the electric chair. The plot is sophisticated and presented in a well-paced and intriguing fashion with Wilde, Crain and especially Tierney on top form delivering a tightly written adaptation of Ben Ames Williams' cleverly constructed story of lust, envy and manipulation. It's interesting to see Cornel Wilde take on a more substantial role. He still has that gleam in his eye but he takes to the
Read the whole review on TMDBShe was a monster! Beautiful Ellen Berent unashamedly jilts her fiancé, Russell Quinton, for writer Richard Harland. Her attraction to Harland being that he reminds her of her deceased father. But soon it becomes evident that Ellen is very possessive and literally will do what it takes to keep all away from her newly obtained beau. Director John M. Stahl and writer Jo Swerling adapt from the novel written by Ben Ames Williams. Filmed in luscious Technicolor by Leon Shamroy (Oscar winning), Leave Her To Heaven proves two indisputable things. One is that to craft a searing film noir it doesn't have to be filmed in monochrome, the other is that it's proof positive that Gene Tierney (Ellen) was more than just a gorgeously effective face. Tierney of course needs no introduction to fans of film noir, her appearance and quality of performance in the previous years release of Laura ensures that. While to a lesser degree the mixed Whirlpool four years later also cements her status in the corridors of darkness. But an argument can be made for this being her crowning glory, both in terms of her effervescent beauty and of the performance she gives (Oscar nominated). It's not outrageous to say
Read the whole review on TMDB_Leave Her to Heaven_ is, without a doubt, the least exciting and fun noir I've watched this Noirvember so far. In a genre that typically brims with tension and intrigue, this film feels practically void of pulse – almost like it's trying to lull you to sleep instead of keeping you on edge. Not sure what's more disappointing: the absence of thrills or the flat, listless atmosphere!
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