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Drama, Mystery, Thriller 108 min
Rotten Tomatoes100%Metacritic89IMDb
Paris, France, December 1946. Jenny Lamour, an ambitious cabaret singer, and Maurice, her extremely jealous pianist husband, become involved in the thorough investigation of the murder of a shady businessman, led by Antoine, a peculiar and methodical police inspector.
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Classical in form, meticulous, earnest and grave.
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Suzy Delair is the eponymous songstress, married to her unassuming accompanist "Maurice" (Bernard Blier). Now she is from a grittier background than her well-to-do husband, and she is ambitious - so when he catches her eying up elderly, and rather seamy, businessman "Brignon" (Charles Dullin) he loses his temper. When he subsequently discovers that she has gone to meet him, "Maurice" heads to his home with blood in his eyes. Thing is, when he gets there the corpse is all ready and waiting for him. Whodunit? Well that's down to the ferret-like skills of "Insp. Antoine" (Louis Jouvet). The plot thickens when both "Jenny" and "Maurice" attempt to fool the policeman with palpably fake alibis and the only real clues might lie with their neighbour "Dora" (Simone Renant) who also has some skin the game - but of the amorous nature. It's a complex and engaging thriller this, with lots of red herrings - some obvious, some subtle. The characters - especially "Dora" play well to the mystery of the thing and by half way in, the death of the old reprobate is secondary to the intrigue of who did what to whom and, more importantly, why? Jouvet is on great form as the curmudgeonly and fastidious de
Read the whole review on TMDBHark the herald angels sing. Quai des Orfèvres is directed by Henri-Georges Clouzot and Clouzot co-writes the screenplay with Jean Ferry. It is based on the novel Legitime defense written by Stanislas-André Steeman . it stars Louis Jouvet, Suzy Delair, Bernard Blier and Simone Renant. Music is by Francis Lopez and cinematography by Armand Thirard. When high profile business man Georges Brignon is found murdered all evidence points to jealous husband Maurice Martineau - Inspector Antoine takes up the case. Following the backlash and fallout from Le Corbeau in 1943, Henri-Georges Clouzot wasn't allowed to make a film for four years, his return brought about Quai des Orfevres. Although a highly respected master of his craft, Clouzot was frowned upon for the dark approach to human nature in some of his films, whilst his treatment of the actors under his direction is legendary in a bad way. So how interesting to find that his comeback picture is actually one of his most accessible, very much thriving on human interest factors for literally everyone in the picture! This a traditional police who done it procedural in core essence, one that does come with coincidences and contrivances, and
Read the whole review on TMDBChecking availability…
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