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HE KILLED... and there on the crest of Sierra's highest crag... HE MUST BE KILLED!
Given a pardon from jail, Roy Earle gets back into the swing of things as he robs a swanky resort.
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Spare, effortless, classical in form and meticulous.
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Written by TMDB members; each links to the original. Not part of Taste Buds's numbers.
Roy Earle, a man out of prison and out of his time. Thanks to a rather shifty pardon, Roy Earle Is released early from prison. A job is out here waiting to be done - maybe Roy's last one before finally finding love and straightening out? But Roy is finding out that this is a different world to the one he left behind, the one before he entered the Big House for his stretch. There are crooks he's not familiar with and women turning his head, hell even a canine has him at odds with his machismo sensibility, but all of it will come crashing together amongst the magnificent High Sierra! It's a really funny thing now, you buy two DVDs and they both tell you that the respective film from 1941 is the breakout role for Humphrey Bogart. I am of course referring to both this fabulous film and the equally brilliant Maltese Falcon, what a double that is eh! Truth is, is that both films merely showcase what a talent the great man was, and crucially, that he could imbue his characters with terrific pathos and emotive drive. Here as Roy Earle Bogart gives one of his best 40s performances, this on a CV that has many other great turns. Made to look far more aged than he was (well done Perc Westmore)
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Closest on the same fourteen dimensions, from everything scored on Taste Buds. Other media included when they land close.
Recommendations from TMDB. Opening one adds it to Taste Buds
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“Is this Raoul Walsh's best work?”
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“Is Ida Lupino the best thing in High Sierra?”
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“Is the heist the best part?”
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