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For three men the Civil War wasn't hell. It was practice.
While the Civil War rages on between the Union and the Confederacy, three men – a quiet loner, a ruthless hitman, and a Mexican bandit – comb the American Southwest in search of a strongbox containing $200,000 in stolen gold.
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Epic, meticulous, contemplative and plot-driven.

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Written by TMDB members; each links to the original. Not part of Taste Buds's numbers.
**One of the best, most famous and most iconic Westerns ever. More than a classic, it's mandatory.** I'm not an expert nor do I want to sound like one, but I think this is one of the most famous western films ever made, despite being shot by an Italian director and being more European than American. Sérgio Leone was one of the most notable directors of his time and he left us, in this film, one of his masterpieces. This is one of those movies that is almost perfect. Problems and failures are scarce and reside in minimal details that end up not making a big difference in the overall work. The story was very well written and takes place in the midst of the American Civil War, a time when violence was part of everyday life. In this environment of violence and mutual distrust, two men are looking for a treasure buried in a cemetery: the problem is the fact that each one knows only part of the location (that is, one knows the location of the cemetery and the other knows which grave it is) and there is a third man, a fearsome assassin, willing to do anything to take all the gold. For this film, Leone put together a very reasonable cast, mostly European, and three great North American act
Read the whole review on TMDBNot as bad as the other Leone Westerns. Still, that is not saying much at all. At 3/10, this is better than his totally ridiculous ones. It's still a dull movie with non credible one dimensional characters who have no motivation for a single thing they do. Three homicidal maniacs who are called good, bad, and ugly, but really they're all just bad and ugly. Eli Wallach steals the show. I think most people agree with me on that, and for some people he saves the show, but I need better writing, and more "credible characters in incredible circumstances" than we get with Leone. Blondie (Eastwood) kills anyone he sees in the wild. He kills other bounty hunters to steal their prisoner to bring in for rewards. It's a good thing we didn't have Allied soldiers like Blondie, or else all Germans would have to do to win the war would be surrender and let American GIs kill each other to steal prisoners to bring in. Imagine that. We would have lost WW2 if our soldiers were like Blondie (or Manko, or whatever his name was). The attempts to humanize the homicidal maniacs played by Clint and Eli only work for the brain dead idiots who buy into that. Such brain dead idiots don't last long in the hood
Read the whole review on TMDBVery good no doubt about it, even if I feel it's an odd fitting third installment of the Dollars trilogy. In case this review sounds negative at any point, I wanna explicitly state for the avoidance of any doubt that <em>'The Good, the Bad and the Ugly'</em> is very good! Any cons noted are relative. I just feel like it's a drop-off from the brilliant double of <em>'A Fistful of Dollars'</em> and <em>'For a Few Dollars More'</em>. The near 3hr run time is one of the reasons, though the pacing is actually pretty good in fairness. I guess it's more so the plot, which is filled with an American Civil War setting which I didn't feel matched the characters. The man in the middle/bounty hunting aspects of the original two films are perfect for the characters of Clint Eastwood & Co., whereas them tagging along for the war just felt odd; the story didn't feel as raw or volatile to me. As stated, it's still - on its own merits - an entertaining western. Eastwood remains quality, while Lee Van Cleef and Eli Wallach are extremely worthy onscreen counterparts. I will say Van Cleef feels forgotten about, probably just by me, towards the end until he magically reappears. Still, as a trio they ar
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Companions we picked from the closest works, and how to take them.
Closest on the same fourteen dimensions, from everything scored on Taste Buds. Other media included when they land close.
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“Is Tuco Ramirez the real protagonist?”
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“Is this Sergio Leone's best work?”
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“Does it glamorize what it means to condemn?”
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72 profiled raters. Loved most by The Prestige Hunters; disliked most by The Provocateurs.
If you loved this film, the television, the book, the music, the game.
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