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Drama, Western 166 min PG-13
Rotten Tomatoes96%Metacritic82IMDb
There were three men in her life. One to take her… one to love her —and one to kill her.
As the railroad builders advance unstoppably through the Arizona desert on their way to the sea, Jill arrives in the small town of Flagstone with the intention of starting a new life.
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Contemplative, meticulous, nostalgic and epic.
18 profiled raters. Loved most by The Prestige Hunters.
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Written by TMDB members; each links to the original. Not part of Taste Buds's numbers.
Now we know all along just who is responsible for the wholesale slaughter that “Jill” (Claudia Cardinale) encounters when she arrives to join her family on their frontier ranch. She’s devastated, all alone and distinctly wary of “Harmonica” (Charles Bronson) who doesn’t speak much, unless it’s with his instrument or with his pistol. What we do know of the crime is that it was instigated on behalf of a railroad owner “Morton” (Gabriele Ferzetti) who had engaged the services of “Frank” (Henry Fonda) and his longcoat assassins to ensure that their boss could acquire her family’s land for a song. Meantime, caught up all is these machinations is “Cheyenne” (Jason Robards) whom “Frank” is also trying to frame for the killings. With the townsfolk powerless to help this damsel in distress, can her new white knight save the day? As ever with Sergio Leone westerns it’s all about the look and the score. Morricone is at his best with the latter and the photography speaks eloquently for the paucity of dialogue that I quite enjoyed. Nobody hurries, nothing is rushed and the pace is glacial yet effective - especially as events build up to the confrontation that we know is coming, but which I felt
Read the whole review on TMDB**One of the great western movies.** Western movies made in co-production by Italians and Americans (called "spaghetti-western") have been considered among the best that emerged within their genre, cleverly combining the tough action of Wild West gunslingers with the taste for raw realism and detail of the Italian filmmakers. I believe that such a thing may displease North Americans, who consider the cowboy a figure that is "true USA". I therefore invite them to visit the Brazilian city of Barretos, or the rural areas of Goiás, Mato Grosso or Tocantins in Brazil. There are plenty of cowboys there… they just lack the guns. Sergio Leone is an unavoidable figure here, having been responsible for the greatest “spaghetti” ever made. In this film, he gives us again a remarkable job, full of qualities. I don't consider it the best of his career or the best "spaghetti western" ever made, but it definitely has a place on the podium. The film begins very well, with the massacre of an Irish immigrant and his family, which leaves in the hands of a second wife – yes, the man was secretly a bigamist – a few acres of uninteresting desert... but there are people willing to kill for it. It happens
Read the whole review on TMDBThe worst of the worst Leone Westerns. Leone destroyed the Westerns with his garbage, but the blame goes on to the critics who praised his lack of motivation, lack of inspiration, lack of credibility, lack of entertainment value, lack of strategy, just a total lack. This is the worst of his stupid Westerns. It's the most contrived of his contrived Westerns. It's another "classical Greek hero" story of gods, demigods, and cannon fodder. The more of a homicidal maniac you are, the more of a god you are. Great message. Here, we have a traditional Greek demigod hero who is out for revenge, the usual Hollywood formula. He wants to kill Frank, whose only motivation is sadistic killing, because Fank killed his brother. So, what does our traditional hero do? He kills everyone else but Frank, including men who are trying to kill Frank (Henry Fonda). I told you it was stupid, and that there was no way to buy into the motivation for the characters. This one is the dumbest of the dumb Westerns. What's more, it's also worse because of all the waste. Why waste actors like Fonda, Robards, Bronson, Elam, and Strode on this stupid screenplay?
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