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A truly great motion picture.
In 1840s New York, the uneventful and boring days of the daughter of a wealthy doctor come to an end when she meets a dashing poorer man — who may or may not be after her inheritance.
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Meticulous, contemplative, prestige and intimate.
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There are three really strong performances here, but for my money it is Sir Ralph Richardson who stands out. "Sloper" is a wealthy surgeon, a widower and father to the naive young "Catherine". She (Olivia de Havilland) is shy and usually quite happy doing her embroidery quietly at home. Then her well meaning aunt "Lavinia" (Miriam Hopkins) comes to stay and her father thinks that perhaps she can help bring his daughter a little out of her shell. One of the results of this change is a meeting with "Morris" (Montgomery Clift). Now whilst he's not exactly penniless, he hasn't anything remotely like her $30,000 a year. She falls completely for his simple charms and swiftly they are talking marriage. Not unreasonably, her father thinks this is all moving far too fast and so suggests a trip to Europe to see if she can get him out of her system. When that doesn't quite work, the father starts to show his true colours and that's just the start of things unravelling for the young woman who is about to be given some very harsh lessons on life. It's a sumptuous looking drama, this, with a fantastically toxic storyline that pits love and affection against selfishness and jealousy - but it does
Read the whole review on TMDBTurning of the tide in acting and directing masterclass. Dowdy spinster Catherine Sloper is stuck in a rut, she is often made to feel useless by her almost tyrannical father, and her life is ambling along in uneventful boredom. Potential gentleman suitors stay well clear of her, such is her unease with the social graces of the day. Then one day at a society ball she is lavished with attention from Morris Townsend, could this be love? Or is he merely after her inheritance? An inheritance her father will take away from her should she progress further with the shifty Townsend. A novel written by Henry James (Washington Square) and a successful Broadway play by Ruth & Augustus Goetz (responsible for the film's wonderful ending), The Heiress adapts perfectly to the big screen due to the almost peerless work from all involved in the production. Olivia de Havilland is sensational as Catherine, the tale is about Catharine's transition from put upon victim into a mature, rational wise woman, and de Haviland double deals from the top of the pack - with one particular look towards the end of the play, she may just own the title of worlds best ever icy stare. Ralph Richardson plays the father
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Closest on the same fourteen dimensions, from everything scored on Taste Buds. Other media included when they land close.
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