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A kind of loving that knew no wrong until it was too late!
As Vic Brown vacillates between infatuation and disinterest for his co-worker Ingrid Rothwell, she finds out that she is pregnant and Vic has to reconcile how he thought his life would go with what life actually has in store for him.
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Prestige, intimate, character-led and bleak.
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I can't say I was ever a great fan of Alan Bates, but he's really quite good in this - for the time - almost raunchy romantic drama. He is factory worker "Vic" who takes a bit of a shine to the shy "Ingrid" (June Ritchie) - well, she takes more of a shine to him, actually. What now ensues is a sort top-of-the-bus courtship, a movie, a snog on the beach and then... She becomes pregnant, a shotgun wedding follows and thought the pair do genuinely like one another, it's clear that there's some rather unpleasant writing on the wall. He's an ambitious character. His traditional working class roots are ones he wants to leave behind. His new family status makes him feel trapped and hemmed in. His future somehow snatched away from him. Needless to say, his character changes and that sets him at odds with his new wife - and with her mother (Thora Hird) who lives with them and rarely misses an opportunity to make her presence felt. How long can he tolerate this self-made scenario before something has to give? Bates convinces as his increasingly frustrated persona as does Ritchie whose character finds herself increasingly ostracised from an husband she loves but doesn't understand. Hird featu
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