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She loved one man …enough to KILL to get him!
Ambulance driver Frank Jessup is ensnared in the schemes of the sensuous but dangerous Diane Tremayne.
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Spare, bleak, overwhelming and intimate.
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Never be the innocent bystander, that's the guy that always gets hurt. Angel Face is directed by Otto Preminger and adapted to screenplay by Ben Hecht, Oscar Millard and Frank S. Nugent from a story written by Chester Erskine. It stars Robert Mitchum, Jean Simmons, Mona Freeman and Herbert Marshall. Music is scored by Dimitri Tiomkin and cinematography is by Harry Stradling. The Tremayne residence, home to beguiling beauty Diane Tremayne (Simmons). When ambulance driver Frank Jessup (Mitchum) meets her for the first time, little did he know that he would soon be engulfed in a world of sexual desires and possible murder. Well if it ain't the dead body jockey. In film noir circles it's certainly well known enough, and it can count a number of big names in the movie world as its supporters, yet Angel Face still appears to be something of a forgotten treasure. It's a wickedly dark Freudian picture that pulses with impending doom, luring the viewer into its web that's been threaded together by deceit, seduction, greed and madness. The viewer is never quite sure what will out as the Diane/Frank relationship starts to form, we have a good idea that Frank is in it up to his neck, and you s
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Closest on the same fourteen dimensions, from everything scored on Taste Buds. Other media included when they land close.
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Answer first; then see how everyone, and your circle, split.
“Is Robert Mitchum the best thing in Angel Face?”
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“Is this Otto Preminger's best work?”
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“Does the ending land?”
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