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An ailing barrister is thrust back into the courtroom in what becomes one of the most unusual and eventful murder cases of the lawyer's career when he finds himself defending a man being tried for the murder of a socialite.
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Written by TMDB members; each links to the original. Not part of Taste Buds's numbers.
**Witness for the Prosecution (1957)** _Directed by Billy Wilder_ Billy Wilder's adaptation of Agatha Christie's courtroom drama is superbly crafted entertainment, a masterclass in pacing, performance, and the art of building suspense around a trial. Charles Laughton is phenomenal as Sir Wilfrid Robarts, the barrister defending Leonard Vole (Tyrone Power) against murder charges. The casting is perfect; Laughton was the ideal comic actor for the dry British wit, delivering every line with impeccable timing and cantankerous charm. Wilder apparently added the nurse (played brilliantly by Elsa Lanchester, Laughton's real-life wife) as a comic foil for Laughton. That choice worked beautifully for comic relief, lightening the tension without undermining the drama. Their bickering adds humanity and humor to what could have been a relentlessly grim story. Christie's drama-building talent is quite evident here. The story is riveting, the courtroom scenes crackling with energy and emotional electricity. Marlene Dietrich is icy and enigmatic as Christine Vole, impossible to read, holding every card close. The film keeps you guessing, even when you suspect something isn't quite right. The endi
Read the whole review on TMDBI might be asking for trouble here, but did Charles Laughton ever actually make a bad film? He leads this one as the brilliant but curmudgeonly barrister "Sir Wildred Robarts" with oodles of charisma and style. Marlene Dietrich portrays the evil, manipulative "Christine Vole" marvellously and even Tyrone Power, more the matinée idol than the serious actor, delivers as required in Billy Wilder's outstanding rendition of the Agatha Christie story about a man accused of murdering an elderly lady who has just happened to leave him a great deal of money in her will. Elsa Lanchester is suitably annoying/scary/lovable as the nurse trying to keep her ailing charge from keeling over mid-trial and a slew of other capable British actors - including a wonderfully charismatic turn from Una O'Connor in the witness box - fill in the supporting roles well. It is one of those very rare occasions where everything just gels perfectly and it really is fun to watch. Some of Laughton's wry asides and put-down lines are genuinely laugh out loud too. Had it not come up against "Bridge on the River Kwai" then I'm sure it would have garnered at least one Oscar!
Read the whole review on TMDBI'm constantly surprised that women's hats don't provoke more murders. Leonard Steven Vole finds himself on trial for the murder of a wealthy widow from whom he has inherited a fortune. Top barrister Sir Wilfrid Robarts takes up the defendants case, but he, along with everyone else, is stunned when Vole's seemingly loving wife Christine turns up to testify against the defendant. Based on Agatha Christie's successful 1953 play, "Witness For The Prosecution" benefited from fine tuning from master director Billy Wilder and writing partner Harry Kurnitz. Here the dialogue becomes razor sharp and the characters are fully realised with quite wonderful results, but chiefly the masterstroke here is not letting a court room drama become just that, a court room drama. The film plays out with no wasted scenes, no moments of boredom, and it has such vim and vigour you sometimes forget that there actually is drama in the story. The cast here are on fine form, Wilder had wanted to work with Charles Laughton for some time, and it's obvious that both parties here are getting the best out of each other. Laughton is a pure delight as Robarts, a sharp tongue, all bluster and cheeky into the bargain,
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