Twelve kinds of taste
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Rate five things you know, from any shelf. Your archetype shows up in about a minute, and gets sharper with every log.
Drama, Thriller 82 min R
Rotten Tomatoes47%Metacritic61IMDb
Every fear hides a wish.
Seemingly mild-mannered businessman Edmond Burke visits a fortuneteller and hears a remark that spurs him to leave his wife abruptly and seek what is missing from his life. Encounters with strangers and unsavory people weaken the barriers encompassing his long-suppressed rage, until Edmond explodes in violence.
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Bleak, overwhelming, spare and intimate.
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Written by TMDB members; each links to the original. Not part of Taste Buds's numbers.
It never hurts a movie to have both William H. Macy and Joe Mantegna, not least because there’s a good chance it’s a David Mamet film. Mantegna appears briefly in Edmond, adapted by Mamet from his one-act play and directed by Stuart Gordon, but his intervention is key. Edmond Burke (Macy) encounters Mantegna’s character in a bar, and after the two bond over their shared racism, the latter gives the former a card with the address of a nightclub, but which Edmond momentarily sees as a Tarot card: the Hierophant. This is ironic because the Hierophant is believed to bring religious worshipers into the presence of what is sacred, and in The Rider-Waite Tarot Deck it represents conformity to social norms or a deference to the established moral and social order, being a guide to knowledge, perception and wisdom. Thus, in the Apollonian guise of the Hierophant, Mantegna is actually a Dionysian agent, gently nudging Edmond toward the profane and immoral, and into an downward spiral of hatred, ignorance, and crime. The protagonist’s name is equally ironic. Edmond is related to Edmundi, which itself is derived from the Old English ēad, meaning “prosperity” or “riches”, and mund, meaning “prot
Read the whole review on TMDBInteresting character drama showcases William H. Macy's great talent and ability to carry almost entirely on his own. The movie sprinkles in some name talent for a few minutes each. To say the least this isn't exactly a happy flick or anything though not entirely depressing. It does have the annoying psuedo-intellectual rubbish that I hated about "The Matrix Revolutions", and this is coming from someone who has liked David Mamet-written scripts. **3.0/5**
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Closest on the same fourteen dimensions, from everything scored on Taste Buds. Other media included when they land close.
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