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Three British teenage girls go on a rites-of-passage holiday—drinking, clubbing and hooking up, in what should be the best summer of their lives.
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Intimate, spare, bleak and overwhelming.
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It’s truly disappointing when a film tackles a serious subject but mishandles the execution of the story associated with it. Such is the case with writer-director Molly Manning Walker’s debut feature about the troubling ramifications associated with undercooked decisions about adolescent sex. When a trio of British teens (Mia McKenna-Bruce, Lara Peake, Enva Lewis) embarks on a spring break-style vacation to the resort town of Malia on the island of Crete, they anticipate a raucous, fun-filled time of drinking, dancing and sexual hedonism. The last of those goals is especially important to Tara (McKenna-Bruce), the lone virgin in the group, who’s anxious to cross the threshold of becoming a woman. But, as she pursues the fulfillment of that objective, she finds the decision fraught with more complications than she anticipated, some of which weigh heavily upon her as she seeks to sort them out. That’s understandable, too, given the profound nature of this rite of passage. Unfortunately, that conundrum is couched in a narrative that’s fundamentally implausible. For starters, what parent in their right mind would give their minor child permission to go on such an unchaperoned journey a
Read the whole review on TMDBI think any parent of a late-teenage child will be mortified at what goes on when three girls head off to Heraklion in search of sun, sea and sex. They arrive full of beans - determined too have a good time and to get laid. We quickly learn that "Tara" (Mia McKenna-Bruce) has yet to experience that, and she is keen to tick that particular event from her bucket list. Together with pals "Skye" (Lara Peake) and "Em" (Enva Lewis) they hook up with the folks whose balcony is next door. "Tara" takes a bit of a shine to tattooed, van driver, "Badger" (Shaun Thomas) who is there with his friends "Paddy" (Samuel Bottomley) and "Paige" (Laura Ambler). It's on their third night that the film stops being a video-diary of hedonistic behaviour as her friend "Badger" gets blown away by a poolside experience and she finds herself on her own, then on the beach with... What now ensues begin the elements that provides the crux of the point of the film. When is what we want not what we want, when does yes not really mean yes - or it means yes because you just want to get something over with, or yes because you are just curious, or yes because you are too stoked up to think anything through - and are i
Read the whole review on TMDB<b>INT. HOLIDAY HORRORS - NIGHT</b> <i>Tara, Em</i> and <i>Skye</i> have all come to the party, and party HARD. The story consists of these three friends on holiday that are down to fuck; <i>Tara</i>, in particular, will be her first time. This coming-of-age story is entirely a downer, but with some of the most exciting dance and party scenes with music that goes hard, it's impossible to look away. With <i>Em</i> and <i>Skye</i>, <i>Tara</i> has an Angel and Devil on her shoulders telling her what to do, think and feel. <i>Badger</i>, her love interest, starts as a rave-head looking to bang but grows into a compassionate friend amongst these horny young adults. Hats off to the performances of <i>Tara</i> <b>Mia McKenna-Bruce</b> and <i>Badger</i> <b>Shaun Thomas</b> and the wicked soundtrack. <b>FADE OUT.</b>
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