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During World War II, Steve Rogers is a sickly man from Brooklyn who's transformed into super-soldier Captain America to aid in the war effort. Rogers must stop the Red Skull – Adolf Hitler's ruthless head of weaponry, and the leader of an organization that intends to use a mysterious device of untold powers for world domination.
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Resolved, epic, effortless and unpretentious.

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Written by TMDB members; each links to the original. Not part of Taste Buds's numbers.
Captain America: The First Avenger is a well-crafted superhero origin story that sets up Steve Rogers' journey with a strong narrative foundation. The plot is engaging, blending a classic underdog story with a war-time adventure that feels both grounded and larger than life. The pacing is solid, moving through Steve's transformation and early missions without dragging, though some action sequences are presented in montage form, which makes them feel a bit rushed. The script does a great job of keeping the dialogue natural, mixing heartfelt moments with humor and sincerity, making Steve an instantly likable character. Joe Johnston’s direction leans heavily into a 1940s aesthetic, capturing the era’s charm while delivering the high-energy action expected from a Marvel film. The cinematography enhances this old-school feel with warm tones and well-framed action shots that keep everything clear and visually engaging. Some sequences feel a little stylized in a way that makes them stand out from the rest of the MCU, but that actually works in the film’s favor, giving it a unique identity. The balance between practical effects and CGI is well-handled, making the world feel lived-in rather
Read the whole review on TMDBPLOT Steve Rogers, a scrawny young man, wants to enlist in the US Army and go overseas to fight in WWII. But his size and health means his attempts at enlistment always end the same way -- a 4F rating. Until a scientist sees him and recruits him to try out for a special training program to create a super soldier. WHAT I LIKED The Marvel universe sticks pretty close to classic script with him being given a serum that jacks his body into super muscle mode. He's already brave and smart, so it would seem like a no-brainer to send him overseas? But the guy in charge of his training doesn't want him, he's just one man, so Rogers ends up doing public relations back home. And he is quite shocked that the men overseas don't react as positively when they see him as the crowds back home. I really enjoyed the way they handle the first battle scene for him, basically him figuring things out as he goes, a far cry from his battle-hardened approaches later. I even liked his interactions with Agent Carter. I had thought it would be more subtle than it was, and I hoped we'd see a bit more of her operating on her own (after all, they gave her character a whole series on TV!), but she was second fiddl
Read the whole review on TMDB**This is a long form review initially published in 2011:** Though it ran at over two hours, I did feel that it had plenty of room to go further than it did. I honestly felt like Red Skull could have had a film all to himself, and actually kind of suffered for making him as intriguing as he was. Chris Evans was an interesting choice as the titular role of Captain America, given that he's already played American sweetheart Marvel Super Hero "The Human Torch" in _Fantastic 4_ and _Fantastic 4: Rise of the Silver Surfer_. He didn't Oh-My-Gosh blow me away type-thing or what have you, but he was pretty great. So far in the Marvel Cinematic Universe, I'd slot Captain America clean in the middle. I liked _Iron Man_ and _Thor_ more, but _Iron Man 2_ and _The Incredible Hulk_ less. Marvel Studios stated that the movie they wanted to make was set in the 40's, even though the rest of Marvel Cinematic is modern-day. This was 100% the right move to make, why? Not because of the setting, aesthetics or direction, but because it's fuckin' smart. How do you have the world appreciate an Uncle-Sam loving upper-middle class white male military blindly-loyal patriot? You make him fight the God damn Na
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32 profiled raters. Loved most by The Thrill Chasers; disliked most by The Formalists.
If you loved this film, the television, the book, the music, the game.



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