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Rate five things you know, from any shelf. Your archetype shows up in about a minute, and gets sharper with every log.
Comedy, Drama 108 min R
Rotten Tomatoes84%Metacritic84IMDb
If you don't remember the 60s don't worry, neither can they.
Two out-of-work actors -- the anxious, luckless Marwood and his acerbic, alcoholic friend, Withnail -- spend their days drifting between their squalid flat, the unemployment office and the pub. When they take a holiday "by mistake" at the country house of Withnail's flamboyantly gay uncle, Monty, they encounter the unpleasant side of the English countryside: tedium, terrifying locals and torrential rain.
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Intimate, nostalgic, character-led and contemplative.
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Just what exactly was it lurking in the sink? Probably best not to know as we meet the dipso "Withnail" (Richard E. Grant) and his marginally more respectable pal who'd be the "Marwood/I" (Paul McGann). Two "resting" actors who haven't tuppence to rub together. A visit to his gay uncle "Monty" (Richard Grffiths) provides them with some fine wine and with the key to his remote country cottage where they duly adjourn for an holiday. They don't exactly fit in, indeed having no money, firewood, fuel or much of a clue just antagonises the locals. The bracing country air - and the relentless rain - just isn't for them, and their situation only gets worse when "Uncle" comes a calling and takes a bit of a shine to the frankly rather terrified "Marwood"! What happens next? The first hour of this is great fun, with Grant and McGann working well together delivering a pithy and ripe script that is peppered with quick-wittedness and dry humour. I'm not sure just how much acting Griffiths was actually doing here, but he steals the scene every time - especially as he closes in on his would-be, hapless, prey in the middle of a thunderstorm! Plaudits also to their mate "Danny" (Ralph Brown) - a sor
Read the whole review on TMDB**It's a good film, but it's very damaged by the abuse of alcohol, drugs and tobacco, and by the weakness of the script, in terms of narrative.** I expected a lot more from this movie, I have to confess. It is considered by many to be one of the best British comic films, and there is no doubt that the dialogues and situations were extremely funny, and it is not difficult to laugh at the absurd situations and conversations that are observed here. But it's also no lie that the film is far from being a work of perfection. The script is based on the coexistence between two characters, Withnail and another boy, whose name is never mentioned, and who supposedly tells the story in the first person. They are two aspiring actors, absolutely failed, penniless and sharing expenses and an apartment in Camden during the late 60s, that is, in the midst of the cultural revolution and the golden years of drug use. Tired of the rot in which they live, they decide to go to the country house of a Withnail's uncle, not knowing that the place is inhospitable for the city dwellers. The film has its moments, and this is largely due to a well written set of dialogues and absurd situations. Particularly me
Read the whole review on TMDBA beautiful, dreary and funny film. At times subtle and others direct. Deeply contemplative with majestic scenery and an atmosphere of grey. Sardonic humour with believable, excellently acted characters and scenarios. It's the greatest film about friendship and only gets better with each viewing. The direction is purely cinematic and shows rather than tells. A Masterpiece.
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“Is it funnier than it is smart?”
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“Is Richard E. Grant the best thing in Withnail & I?”
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“Does the smallness hold it back?”
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