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Comedy, Drama, Romance 96 min R
Rotten Tomatoes93%Metacritic83IMDb
Woody Allen's New Comedy Hit
Manhattan explores how the life of a middle-aged television writer dating a teenage girl is further complicated when he falls in love with his best friend's mistress.
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Prestige, character-led, meticulous and cool.
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Written by TMDB members; each links to the original. Not part of Taste Buds's numbers.
Well guess what? It's Woody Allen as "Isaac" - a man facing a series of mid-life crises whilst trying to write a book. He's not the only one. Ex-wife turned lesbian "Jill" (Meryl Streep) is planning on writing her own kiss-and-tell (or more likely a punch-and-tell) whilst still getting her alimony and her attitude isn't gonna change when he starts dating a woman less than half of his age. She is the impressionable "Tracy" (Mariel Hemingway) who is enamoured of her perception of this older man but whom we can quickly establish is going to end up disappointed. That might be because he sees little future in a relationship with a schoolgirl, and so turns his attentions to the journalist "Mary" (Diane Keaton) who just happens to be dallying with his married best pal "Yale" (Michael Murphy). She's a bit aloof and rather full of herself, but he is still determined to pursue - regardless, or perhaps because of the collateral damage this may cause to the relationships. It's all set against the hustle and bustle of an island that has provided him with the basis for his book, but with his personal life something of a maelstrom, will he ever get it written? Will he find love? Essentially I fou
Read the whole review on TMDB**In the shadow of “Annie Hall”.** I decided to watch this film last week, after the visit that Woody Allen himself made to my country, with his jazz band and an interesting lecture at the National Cinematheque for invitations only. Despite having seen several of the director's films and not even considering him bad, he always seemed overvalued to me. He won the Oscar for Best Director and was nominated for the award a few times, but after “Annie Hall” he seems to have made several films using the same premise and based, exclusively, on couples with problems. After seeing “Annie Hall”, I found it difficult to watch this film without feeling that Allen was plagiarizing himself and using the same formula to try to achieve the same success. For the intended purpose, it was a success, and it is difficult to find a professional critic who would say that “Manhattan” is poor, a chewed-up copy of a good film that earned Woody Allen the golden statuette. But that's what I feel, and professional critics and Allen fans forgive me, if they can. In the film, Allen almost seems to play himself, in a similar way to what we saw in “Annie Hall” and which also includes, as usual, unorthodox humor an
Read the whole review on TMDBHaving seen this four or five times now since I was a kid, I can definitively say this is the best Woody Allen introduction for newcomers. Visually it's his best work (for those who don't know, the cinematographer Gordon Willis did The Godfather Parts 1 & 2 earlier the same decade, so it's no surprise). Not as insightful or engrossing as Hannah or Misdemeanors, but the writing's up there. Mariel Hemingway's a crown jewel and tears me apart. If you're a newbie and can watch this before Annie Hall I highly recommend it. It's aged much better and is _the_ Woody Allen litmus test
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33 profiled raters. Loved most by The Prestige Hunters; disliked most by The Empaths.
If you loved this film, the television, the book, the music, the game.
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