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Imagine your worst fear a reality.
After a bizarre and near fatal encounter with a serial killer, a newswoman is sent to a rehabilitation center whose inhabitants may not be what they seem.
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Plot-driven, unpretentious, bleak and effortless.
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Written by TMDB members; each links to the original. Not part of Taste Buds's numbers.
**_The first time cinema audiences saw werewolves like this!_** After a news anchor in Los Angeles (Dee Wallace) has a traumatic experience on the sleazy side of town, her therapist (Patrick Macnee) sends her and her hubby (Christopher Stone) to his secluded resort near the coast for treatment. When frightening things happen at the sylvan colony, she contacts her friend to come out (Belinda Balaski), not to mention the husband (Dennis Dugan). “The Howling” (1981) was the first of three major werewolf-oriented films in 1981, debuting in April. "Wolfen" came out on in July and wasn't really a werewolf film, but rather a thinking person's nature-runs-amok flick. "An American Werewolf" came last, released in August, and was easily the most successful at the box office, making three times its cost in the USA alone and six times worldwide. Yet, "The Howling" was more successful if you go by profit in comparison to cost, as it was surprisingly low-budget for a major release. "Wolfen" was the most expensive by far, as well as the most serious and artsy, yet it flopped. This is my favorite of the three and easily the best of The Howling franchise, which currently includes eight movies, even
Read the whole review on TMDB**The Howling was groundbreaking for its time but isn’t the timeless classic I hoped it would be.** The Howling is a definitive werewolf horror film that introduced new ideas to the genre and broke new ground for special effects. The hidden secret werewolf community with opposing ideologies and opinions on how to either hunt or hide from humanity brought more to werewolf lore than a simple crazed monster. The Howling was also the first English-speaking movie to showcase female werewolves. Joe Dante pushed the limits with this film and positioned himself to become the director of Gremlins because of its success, but The Howling is dated and not at all scary by today’s standards. There is unnecessary nudity, terrible acting, and slow pacing that hold The Howling back from being a personal horror classic and keep it from being a movie I recommend.
Read the whole review on TMDB"Karen" (Dee Wallace) is an investigative reporter with a local television channel who is focussed on a local serial killer. When the police corner and kill this man, it has a curiously profound effect on the woman and she loses her memory. Needing a change of scenery, she heads to the remote "Colony" where rest and recuperation are the order of the day. Initially welcoming her, though, she soon becomes suspicious that all is not right with her colleagues and the nocturnal activities in the surrounding forest seem to only make matters worse for our increasingly paranoid (and tired) heroine. Venturing into the woods might offer her the only opportunity to finally put her fears to bed - but there is a risk, and that risk might still involve the man she knows to be already dead! The story here is quite good - and the audio effects department do well to develop and sustain quite a decent sense of menace as "Karen" finds herself in her new, remote and creepy, home. The acting, though - well Wallace just isn't very good, nor is "Avengers" regular, and not terribly versatile, Patrick Macnee who comes across very much as a fish out of water as the supernatural elements take over and the qu
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