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Pain needs a partner.
A famous author is pulled into a twisted mind game with her rich, powerful new neighbor — who might be a murderer.
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Spare, bleak, overwhelming and intimate.
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Written by TMDB members; each links to the original. Not part of Taste Buds's numbers.
(CASTELLANO) Hay miniseries que juegan a ser “thriller correcto” y ya. Esta no. Esta va a morder, y lo hace desde el minuto uno con una energía rara, incómoda, como si te estuvieran mirando desde una ventana que no sabías que existía. Me la he tragado con gusto porque no se conforma con intrigar: te mete en una espiral de sospecha, obsesión y paranoia que cuesta soltar. El gran gancho es el duelo. Claire Danes está en ese punto en el que parece que se rompe, pero a la vez controla la escena con la mandíbula apretada. Y Matthew Rhys… madre mía. Aquí está desquiciado, sí, pero lo peor (lo mejor) es que no lo interpreta como un payaso. Lo hace peligroso de verdad: alguien que puede ser encantador dos segundos y, al tercero, darte mal cuerpo. Esa mezcla de carisma y amenaza es gasolina pura para una historia así. Lo que más me ha gustado es lo retorcida que es sin necesidad de ir todo el rato a lo fácil. Hay giros, claro, y algunos episodios te dejan con esa sensación de “vale, uno más y paro” (mentira). A ratos se nota que estira un poco ciertas vueltas, como si quisiera tensar el muelle más de la cuenta… pero en general me ha compensado, porque el ambiente está muy bien sostenido. Ta
Read the whole review on TMDBThe truly outstanding aspect of this show was its cinematography. Hands down a beautifully shot series. It is intrinsic to the psychological game it plays, as the viewer's perspectives move, expand and retract with the position of the characters and their own perspectives reflected in the camera lens and it almost makes of cold blooded murder something cozy. Other than that, it unfortunately falls by its own weight. There's nothing crazy, much less innovative about the story's development, it's a cliché murder mystery that depicts the consequence of taunting with humanity's darkest desires. Some characters go underutilized, while others supply nothing. I have to specially commend the female characters that, aside from Danes, we see so little of despite being instrumental to the characterization (like Shelley), or to the storyline (like Nina). I wish we could've seen far more interaction between them than I cared to see for all the men. Aggie and Shell's relationship, what remained of it... whew, their emotional scenes were devastating. The rest of social/class commentaries feel almost satirical with how on the nose they are, and make a caricature out of the male characters, though
Read the whole review on TMDBStory's interesting, but sadly it's poisoned with propaganda. I would give it more ratings if not that...
Read the whole review on TMDBChecking availability…
Closest on the same fourteen dimensions, from everything scored on Taste Buds. Other media included when they land close.
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