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Assassin's Creed Syndicate is a third-person action-adventure stealth game set in London during the Industrial Revolution of 1868. Players control twin Assassins Jacob and Evie Frye, each with distinct abilities: Jacob specializes in brawling and close combat while Evie excels at stealth.
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Richly built, epic, plot-driven and clear.
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A few lines from each review; the whole review is on the critic's site. Not part of Taste Buds's numbers.
KotakuChris SuellentropOct 2015The best entry in years for a series that had seen some high-profile misfires. The Batman-ish ropeline is a terrific addition to the series of games best played from the rooftops. Too many missions feel like a to-do list, rather than an opportunity for player creativity.
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Game InformerJoe JubaOct 20159/10Whether you're reclaiming the city from gangs, killing Templars, or searching for hidden secrets, this is an example of the Assassin's Creed formula done right
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GameSpotAlexa Ray CorrieaOct 20159/10Ziplining through London is thrilling, and the game allows you to organically discover missions and leaves you open-ended solutions lets you to create a meaningful, personal experience within its world. Coupled with strong, loveable leads and a seemingly endless procession of ways to leave your (fictional) mark on London's history, Assassin's Creed Syndicate is a shining example of gameplay and storytelling.
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Rock, Paper, ShotgunAdam SmithNov 2015When I reviewed the ill-fated PC port of Arkham Knight, I said that the Arkham games were my go-to AAA series. On this form, they've got stiff competition. Here's hoping Syndicate isn't an anomaly and that the future of the series will be something other than history repeating itself.
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GuardianSam WhiteOct 20152/5 starsWhile titles like Witcher 3 and Metal Gear Solid V have innovated on the open-world adventure, Syndicate is stuck in the past, in more ways than one
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IGDB rating 7.3/10 from 848 ratings.
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“Is Assassin's Creed Syndicate better than Assassin's Creed Odyssey?”
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“Is the open world mostly padding?”
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“Are the characters only there to move the plot?”
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