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A seductive stranger prowls the streets of Glasgow in search of prey: unsuspecting men who fall under her spell.
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Contemplative, prestige, open-ended and bleak.
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Written by TMDB members; each links to the original. Not part of Taste Buds's numbers.
Jonathan Glazer's "Under the Skin" arrives with the weight of critical adoration and art-house credentials, yet ultimately delivers less than its reputation suggests. While technically accomplished, the film demonstrates that technical virtuosity alone cannot substitute for genuine creativity. Mica Levi's dissonant score creates a genuinely unsettling atmosphere, and the hidden camera techniques yield moments of documentary-like authenticity (but not in Werner Herzog's class). Scarlett Johansson commits fully to a physically demanding, nearly wordless performance. These elements deserve recognition. However, in its pursuit of profundity, "Under the Skin" merely repurposes themes and techniques that other filmmakers have executed with greater purpose and originality. The minimalist dialogue approach lacks the emotional resonance achieved by masters like Kim Ki-duk. Its abstract visual flourishes feel tame compared to truly experimental cinema. As a narrative about discovering humanity, it pales beside Yorgos Lanthimos' more philosophically rich "Poor Things." What's most disappointing is the film's self-serious posturing. Glazer seems to mistake obscurity for depth, slow pacing for
Read the whole review on TMDBWell hats off to Scarlett Johansson for agreeing to come filming in a wet and wintry Glasgow for this quite intriguing sci-fi drama. She drives around the city in her van, ostensibly on the prowl for horny young men looking for a quickie. Back at her's, though - and that's not always the same place - they find themselves in all together different sticky situation. There's no violence, or brutality - just a gentle, I suppose drowning, sensation. What is going on? Does she even know? Things begin to change after a trip to the forest that she encounters a gamekeeper who is more used to setting the pace rather than following. His attempt to rape her in the woods seems to act as a catalyst and... Now there is a conundrum here. Is her behaviour changing because of her human interaction, or is it the very nature of that interaction that is feeding her needs? Well that's a question that dogs this quite artistically filmed, large dialogue-free, mystery and maybe there just isn't an answer. It is fun to see a woman doing the predatory work here - her charms equally effective on even the chavviest of Glaswegians, and what I liked about the end is that I still didn't know. It's an odd film, th
Read the whole review on TMDBA total artistic wank piece. The plot moves at a glacial speed, thanks to all the filler in it. Sure, it's about a curious alien living among humans and consuming them in some mysterious black fluid that only said alien can walk on. Other than that, it is absolutely boring as hell and totally lacking in any amount of entertainment. The cinematography itself is great though only in some limited moments. I have a thing for beautiful landscapes but let's be realistic, I watch National Geographic and BBC documentaries for that. Otherwise, a lengthy look out in thick white fog from within a motor vehicle is not my idea of an entertaining nor intriguing scene. In short. Absolute rubbish. After the first five minutes, I realised the glacial pace of this film and watched it at 8x playback speed to try and find some semblance of a climax. Nup, nothing. Don't waste your time. It failed financially and if you dare to still watch it, you will realise why.
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Closest on the same fourteen dimensions, from everything scored on Taste Buds. Other media included when they land close.
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Answer first; then see how everyone, and your circle, split.
“Is the ambiguity a cop-out?”
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“Is the formal daring showing off?”
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“Is the polish hiding a lack of heart?”
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