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Anything can happen during the dog days of summer. On August 22nd, 1972, everything did.
Based on the true story of would-be Brooklyn bank robbers John Wojtowicz and Salvatore Naturile. Sonny and Sal attempt a bank heist which quickly turns sour and escalates into a hostage situation and stand-off with the police. As Sonny's motives for the robbery are slowly revealed and things become more complicated, the heist turns into a media circus.
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Meticulous, overwhelming, prestige and classical in form.

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Written by TMDB members; each links to the original. Not part of Taste Buds's numbers.
**A good film, but not as memorable as some people say.** Director Sidney Lumet created this film based on a true incident that is still the subject of study by police cadets today: a homosexual who decides to rob a bank to pay for his partner's sex change, but who takes the manager and the employees as hostages when things get complicated, and desperately tries not to be killed or arrested by the policemen, who surround the place and try to control a maddened crowd, who are not sympathetic to the authorities. The film was made and released in 1975, and it could not be more appropriate to the time in which it was made: the great decade of civil disobedience, of challenge to authorities and the affirmation of the gay movement. I confess that I'm not quite aware of the real incident behind the script. For that reason, I prefer to focus on this very well done dramatization. In addition to the design of sets and costumes, and an intelligent choice of the filming location, the cinematography is very well executed, and the film has very good visual qualities. The pleasant pace is reasonably fast at first, but slows down midway through, perhaps emulating the back and forth of negotiations
Read the whole review on TMDBRecently I have gotten on kicks for both watching and appreciating the works of director Sidney Lumet and the classic (i.e., 70's) performances of Al Pacino. Thus I came across this film, which I had on DVD forever. It'll interesting to watch the recent documentary on the character Pacino portrays, 'The Dog'--just found out about it earlier today. I loved Lumet's films he made before this that I've seen--'12 Angry Men', 'The Fugitive Kind', 'The Hill', 'The Anderson Tapes' and 'Murder on the Orient Express'--and he's superb at getting the gradual self-destruction of his characters that just seethes through the screen. At this point, Pacino could do no wrong in his work--he had that firm grasp on his immense talent and just what he needed from it to do remarkable work, some of the finest characterizations in contemporary cinema. Do both he and yourself a favour and don't bother with anything he's made since 'Heat'.
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Closest on the same fourteen dimensions, from everything scored on Taste Buds. Other media included when they land close.
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38 profiled raters. Loved most by The Prestige Hunters; disliked most by The Thrill Chasers.
If you loved this film, the television, the book, the music, the game.
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