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While grieving a terrible loss, a married couple meet two mysterious sisters, one of whom gives them a message sent from the afterlife.
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Contemplative, meticulous, bleak and intimate.
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Written by TMDB members; each links to the original. Not part of Taste Buds's numbers.
"John" (Donald Sutherland) and wife "Laura" (Julie Christie) are living in Venice where they encounter two elderly sisters - "Heather" (Hilary Manson) and "Wendy" (Clelia Matania). The former of those enigmatic ladies claims to be able to see an apparition of their recently deceased daughter. "Laura" is engaged, "John" less so - but as the story develops we begin to appreciate that the drowned girl has left demons for both parents to deal with - some more substantial than others! Sutherland is on good form here. His character has some depth to it as we realise that he has yet to fully come to terms with his loss and his grief. Christie also delivers well as she takes a different route to dealing with her stresses and the story balances their needs of each other and for closure. As the mystery deepens, the apparitions become more real and - well what is real and what is not? Nicholas Roeg has also worked hard to create an engaging sense of menace. A lack of special and visual effects but the use of the converted chapel in which "John" works, works well as does a powerful score from accomplished horror genre composer Pino Donaggio all creating an enveloping sense of... yikes! Then th
Read the whole review on TMDBI honestly had a great enthusiasm towards this film before I watched it and I really longed for a film that would mainly offer a sinister atmosphere for the most part. I had read so many great things about "Don't Look Now" and the plot, the locations and the characters looked compelling enough to me to give this movie a chance and be prepared to enjoy an over and done masterpiece. Frankly, I am aware that most people who like this film, are probably going to think I'm terribly brainless because I was somehow disappointed by it, but I would much rather speaking my mind and giving my honest opinion. The main reason why this film turned into a disappointment to me, was mostly the fact that there were quite a lot of scenes that worked as a sleeping pill to me. I think I have seen a decent share of horror films that offer big moments of silence and so-called clever symbolism and subtle details that somehow help to build a solid story. However, in "Don't Look Now", I felt a bit overwhelmed by the excessive amount of pointless sequences (and I'm pretty sure they ARE pointless) and images that in the end are reduced to nothing whatsoever. I felt like most of these puzzling and unsolved det
Read the whole review on TMDBNote-perfect direction, pacing, script and performances make this one of the eeriest, creepiest and unique horror films I have ever seen, and from Roeg's very strong run of films. Perhaps the finest 'reveal' of all time, in fact. In short, a 'must-see' film, and if you enjoy beautifully-shot psychological horror, it's definitely worth a purchase in the finest quality print available, and re-watches...hopefully once every Halloween season, in fact.
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