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Israel, 1973... One woman stood between victory and defeat.
Set during the tense 19 days of the Yom Kippur War in 1973, Israeli Prime Minister Golda Meir is faced with the potential of Israel’s complete destruction. She must navigate overwhelming odds, a skeptical cabinet and a complex relationship with US Secretary of State Henry Kissinger, with millions of lives in the balance. Her tough leadership and compassion would ultimately decide the fate of her nation and leave her with a controversial legacy around the world.
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Epic, raw, plot-driven and bleak.
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I suppose this might have been a little bit more interesting if I had known more about the 'Yom Kippur" war that threatened the still quite fledgling state of Israel. With Egypt and Syria massing huge numbers of troops and tanks on the borders, it falls to the Israeli prime minister Golda Meir (Dame Helen Mirren) to galvanise her hugely outnumbered population and to work with her legendary defence minster Moshe Dayan (Rami Heuberger) to stave off this overwhelming force long enough for her to convince American Secretary of State Henry Kissinger (an almost unrecognisable Liev Schreiber) and his boss Richard Nixon to brave the threats from the Soviets and the Saudis and come to her aid. What's annoying about this film is the astonishing lack of substance to the thing. Much effort has gone into Dame Helen's prosthetics, however much of the rest it seems to repetitively follow her walking about from place to place - with her famous white shoes - whilst lighting and smoking a cigarette. We know she is ill, and we also see from her frequent visits for treatment that the adjacent mortuary is testifying to the increasing horror of this invasion. However there's virtually no detail as to wh
Read the whole review on TMDBPaying homage to a country’s great leader is certainly a worthy and noble undertaking, but, when it comes to director Guy Nattiv’s would-be tribute to Israeli Prime Minister Golda Meir (Helen Mirren), the film comes up far short of what it could have been. The film focuses on Meir’s handling of the 1973 Yom Kippur War, when the nation was on the brink of collapse from “surprise” (though strongly anticipated) attacks by Egypt and Syria, largely as retribution for their territorial losses in the 1967 Six-Day War, with significant support from the Soviet Union. The picture presents a detailed by-the-numbers account of the conflict, including Meir’s involvement with her top military advisors and with US Secretary of State Henry Kissinger (Liev Schreiber). Granted, it’s important to understand this background to provide context for the stage on which this drama plays out. However, for a release called “Golda,” one would think that its focus would be on the title character, as a biographical sketch that just happens to be set during wartime. Instead, because of this, Meir is almost reduced to a supporting player in a much wider cast of characters playing out the specifics of the conflict
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