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Drama, Crime, Thriller 138 min R
Rotten Tomatoes31%Metacritic45IMDb
The world is a stage.
While struggling with his dual identity, Arthur Fleck not only stumbles upon true love, but also finds the music that's always been inside him.
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Contemplative, formally daring, bleak and intimate.
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Written by TMDB members; each links to the original. Not part of Taste Buds's numbers.
"Joker: Folie `a Deux" has a variety of reveries based upon Arthur Fleck and Lee Quinzel, but it isn't long before these elaborately staged musical extravaganzas begin to make the entire film resemble some sort of expensive television show starring the one and only Jaoquin Phoenix and his very special guest Lady Gaga. The film certainly provides a superb showcase for the musical talents of them both, but it comes at a price: It is also responsible for side lining the other necessary elements of the film and as a direct result of this what we are lumbered with is essentially a virtually non-existent story the filmmakers have decided to overload with a plethora of musical numbers and HEY, PRESTO! THAT'S ENTERTAINMENT! Well, yes. After a fashion. What is going to happen in the third film it will no doubt be revealed none of this actually happened - which is probably what both audiences and the executives at Warner Bros. are thinking to themselves right this minute, especially in light of the meagre profit this film struggled to scrape together at the box office when compared to the extraordinary success of the original.
Read the whole review on TMDBGreat title, great movie. I had heard tiny bits about <em>'Joker: Folie à Deux'</em> falling below expectations since its release, though they weren't substantial enough to know if the film was any good or not. I have to say, I really enjoyed watching it all play out. It admittedly isn't on the same level as the phenomenal predecessor, but that's OK - I wasn't expecting it to be. I will say that making this a musical of sorts was a bold choice, it wouldn't have been the direction that I would've went with it but to be honest I thought they executed it nicely. I presume that is one reason many didn't like this, as well as possibly the lack of craziness that seemed like it was on the horizon based on the 2019 flick. For me, mind, it all works. Joaquin Phoenix is as excellent as anticipated in his reprisal as Joker, while Lady Gaga is a neat piece of casting for Lee - obviously her music chops for one, though I do enjoy her acting too. Lee perhaps could've been used more, but what we got is more than sufficient in my opinion. Brendan Gleeson, elsewhere, does well in a more minor role. Is is slightly overlong? Possibly. Did we need a sequel? Probably not. All I can confirm is that I ha
Read the whole review on TMDBCombining movie genres can be tricky business. When the mix is right, the outcome can be truly impressive, but, when it’s off, it can spell cinematic disaster. In the case of this long-awaited sequel to the 2019 box office and critically acclaimed success, unfortunately, the result is closer to the latter than the former. Picking up where the protagonist’s story left off, this saga about charismatic villain Arthur Fleck (a.k.a., the Joker) (Joaquin Phoenix) finds him in prison awaiting trial for his string of heinous crimes. Most of the picture’s first half takes place here, an unlikely venue for Arthur meeting the love of his life, the psychopathic Lee Quinzel (a.k.a., Harley Quinn) (Lady Gaga), who diligently stands by her man when he eventually goes to court, the primary focus of the film’s second half. So, at this point, the picture is already part prison film, part courtroom drama and part dark romance. But, if that weren’t enough, writer-director Todd Phillips draws upon a fourth genre – musicals – to make the mix even more overstuffed (but, hey, if you’ve got a talent like Lady Gaga at your disposal, why not, right?). The result is a convoluted, overlong, often-uninteresting
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US availability from Streaming Availability by Movie of the Night, checked Sep 28. Each opens the title on that service.
