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Alejandro is an aspiring toy designer from El Salvador, struggling to bring his unusual ideas to life in New York City. As time on his work visa runs out, a job assisting an erratic art-world outcast becomes his only hope to stay in the country and realize his dream.
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Prestige, comic, open-ended and intimate.
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Written by TMDB members; each links to the original. Not part of Taste Buds's numbers.
I was drawn in to this one because it features Tilda Swinton, one of my favorite actresses. She is, in this movie too, an absolute power house of talent, and the sole reason to keep watching. Unfortunately, the movie is entirely unwatchable, as each and every main character, and quite a few of the secondary ones as well, is insufferable. This may be on purpose, I suspect it is, but I really need at least for either the protagonist to be likable, or in the case of an antihero, for the supporting cast to be likable. Here, I get neither. Now, there are clear overtones drawing a message about immigrants coming to the United States for work. The message being that they're incompetent infantile unlikable narcissistic habitual liars without a conscience. Personally, I don't subscribe to this simplistic and clearly incorrect view. Surely, not all immigrants are like this, I'd wager a dwindling number would be. But I don't really fault the movie for offering this view, and it's not why I score it this low. I watch movies presenting viewpoints to which I don't subscribe all the time, and if they do it well and in a professional and engaging manner, I'll like the movie all the same. One examp
Read the whole review on TMDBIsn’t it amazing how failures can often lead to unexpected successes? Those missteps frequently have a way of opening meaningful doors, even if it doesn’t seem that way at the time they occur. But how readily are we aware that such developments can occur? Such is the whirlwind experience of Alejandro Martinez (Julio Torres), a young, idealistic, inventive Salvadoran toy designer who emigrates to New York in search of a job in an incubator program at a major American toy manufacturer. But, to apply for the position, he must be present stateside, which means he needs a work visa to reside here long enough to make his pitch. That possibility seems to evaporate, though, when he loses his job as a client curator at a cryogenics company. Fortunately, however, as he’s making his exit from the workplace, he meets and befriends a flamboyant art critic (Tilda Swinton) upset with the way the cryogenics company is handling the care of her late partner (RZA), an eccentric artist known for specializing in paintings of eggs. To raise funds for the painter’s curation, she wants to stage an exhibition of his work but needs help to pull it off, which is where Alejandro enters the picture. He volunte
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Closest on the same fourteen dimensions, from everything scored on Taste Buds. Other media included when they land close.
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