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A subjective documentary that explores various theories about hidden meanings in Stanley Kubrick's classic film The Shining. Five very different points of view are illuminated through voice over, film clips, animation and dramatic reenactments.
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Nostalgic, character-led, intimate and contemplative.
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Written by TMDB members; each links to the original. Not part of Taste Buds's numbers.
An intruiging documentary. If you've loved & watched "The Shining" many, many times, this doc will still show you things you never noticed before. The premise is that different theories about The Shining are examined. All of them start with an idea triggered by a single shot, but most fall apart as the originator attempts to expand and prove their theory. In the end, most of the theorists reveal themselves to be hilariously lost in the film and their reading of it. Stanley Kubrick always stated that he wanted the film to have an unsettling affect on the viewer. This documentary proves that he succeeded. In the end "Room 237" is a piece that celebrates Kubrick's directorial brilliance and is a loving analysis of one of his best films.
Read the whole review on TMDBThis is a pretentious film with assertions that are way out in left field. The reason I gave it this score is my love for the original movie itself.
Read the whole review on TMDB"At the end of The Shining, he's reduced to a screaming ape, just like in the beginning of 2001 there are screaming apes." - John Fell Ryan Astonishingly, the above statement, as bizarre, irrelevant and as bereft of any further analysis as it is (and I haven't taken it out of context; there really IS no further analysis or conclusion mined from that sentence), is possibly the sanest, most rational sentence uttered in Room 237, a documentary film by Rodney Asher lending a platform to some of the whackier interpretations of Stanley Kubrick's terrifying but relatively straightforward adaptation of Stephen King's classic novel, The Shining. Essentially: The visuals of Room 237 are made up mostly of excerpts from The Shining (but also from other movies, mostly from Stanley Kubrick's or Jack Nicholson's catalogues), either slowed down, sped up, repeated, screen-split, run backwards, overlayed upon itself or augmented with arrows, directional bars or other highlighting/orientation tools in order to assist the points being made at the time on the audio by any one of five contributors, all of whom appear via voiceover only. Bill Blakemore - a hugely-respected news reporter - is first off of
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Closest on the same fourteen dimensions, from everything scored on Taste Buds. Other media included when they land close.
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