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Drama 117 min R
Rotten Tomatoes91%Metacritic86IMDb
Some roles are transformative.
Twenty years after their notorious tabloid romance gripped the nation, a married couple buckles under the pressure when an actress arrives to do research for a film about their past.
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Prestige, contemplative, intimate and character-led.
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Written by TMDB members; each links to the original. Not part of Taste Buds's numbers.
Bit of a odd one. It gradually lost my attention a little the longer it went on, though overall it's a film I'd consider as interesting. I know of the real life story that <em>'May December'</em> is "loosely" based upon, so it was intriguing early on to see how the film was going to tackle it. I think they did a good enough job with it all, the actress meeting the subject element makes the film more watchable than it otherwise would have been. Natalie Portman, Julianne Moore and Charles Melton are a great trio onscreen, each giving a noteworthy performance. Portman impressed me most, though Melton really does come strong across the second part of the movie. The rest of the cast do well, particularly solid casting of the main two characters' children. A very well made production, just one that did lose me slightly as it headed through its near 2hr run time - could've been shorter, imo. The main piano score, although excellent in itself, gets minorly annoyingly overused too. No hate though, I still enjoyed it and would recommend it.
Read the whole review on TMDBIn moviemaking, there’s subtlety, and then there’s subtlety carried too far. In the case of director Todd Haynes’s latest, the filmmaker unfortunately indulges himself far too much in the latter. This story of an actress (Natalie Portman) who visits a middle-aged sex offender (Julianne Moore) to prepare for a role she’s about to play in a movie about her subject’s life never seems to find a footing to stick with and explore. The narrative examines many different aspects of the back story behind the lives of the characters to be portrayed in this pending production without ever really resolving any of them by the time the credits roll. This includes not only the protagonist’s reasons for pursuing her once-underage husband (Charles Melton) – actions that got her jailed and made her fodder for countless tawdry tabloid cover stories – but also the nature of the actress’s real motivations in conducting such an excessively intense in-depth study of her character. In the process, virtually everyone comes across as somewhat unsavory, and, considering that the truth is never clearly revealed about any of them, it begs the question, why should we care about any of this? The film depicts all
Read the whole review on TMDBThis actually reminded me a little of "All About Eve" (1950) as television actress "Elizabeth" (Natalie Portman) arrives at the home of "Gracie" (Julianne Moore) about whom she is to star in a biopic. Initially welcoming of her and keen to help, we follow the changing dynamic as we learn that "Gracie" has quite a past, and that her husband of 20-odd years, "Joe" (Charles Melton) is considerably younger than her and there was quite a furore when they first hooked up that saw the older woman incarcerated. The more she finds out, the more involved "Elizabeth" becomes and the more immersed we all become in this quite compelling story of a taboo that rather broke a mould or two and is now surrounded by an atmosphere of hypocrisy, faux-friendships, and lemon drizzle cake. There is a strong, increasingly well delivered, competitiveness between these two women and Melton delivers quite strongly too as the young man who seems devoid of much purpose as he heads towards his forties. The script is quite tight, frequently potent and Todd Haynes's overall style of intimate direction genuinely encourages us to invest a little in one of the women - I didn't manage to invest in both, especially as
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