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In 1909, two explorers fight to survive after they're left behind while on a Danish expedition in ice-covered Greenland.
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Intimate, raw, resolved and plot-driven.
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The takeaway from Against the Ice is that not all CGI is bad — which doesn’t necessarily mean that some of it is good, only that some examples are comparatively worse than others. There is a scene in this movie that will remind you of The Revenant, except that the bear in Alejandro González Iñárritu’s film is one of its most memorable aspects; as for the one in Against the Ice, let’s just say that I’ve seen more realistic polar bears in those Coca-Cola Christmas ads. Now, both scenes involve lots of computer generated imagery and a stuntman pretending to be a carnivorous mammal of the Ursidae family, so the difference between awesome and pathetic lies in the performance of the actor being attacked. Like in pro wrestling, the encounter between Leo DiCaprio and the bear may not have been spontaneous, and its outcome may have been predetermined, but that doesn’t mean the actor didn’t take an actual beating, getting thrown around to and fro like a ragdoll by way of wires; moreover, all of his facial and body language is committed to selling the gravity of the situation, which in turn makes the bear, CGI or not, look like a million bucks. Meanwhile in Against the Ice, Nikolaj Coster-Wal
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