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Crime, Drama, Thriller, Mystery 105 min R
Rotten Tomatoes86%Metacritic69IMDb
Everyone has something up their sleeve.
Leonard is an English tailor who used to craft suits on London’s world-famous Savile Row. After a personal tragedy, he’s ended up in Chicago, operating a small tailor shop in a rough part of town where he makes beautiful clothes for the only people around who can afford them: a family of vicious gangsters.
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Intimate, plot-driven, meticulous and bleak.
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Written by TMDB members; each links to the original. Not part of Taste Buds's numbers.
The Outfit is an isolated who-done it set in the late 1950's as a group of mobsters desperately try to find the rat in their crime organization. The setting was superb and nostalgic, and the set is fixed to one room for the entire film, which really aided in the paranoia of the film. This isolation led to the film primarily being carried by dialogue and exposition, which was superb here. The script and dialogue were complex and clever, and the performances worked great in conjunction with it. Mark Rylance stole the show, he was sweet and calm, but had suspiciousness to him that led the audience to believe he knew more than he was letting on. He outshined everyone in this film. Zoey Deutch was lackluster as she really didn't seem to play a character that was believable. Her delivery was very modern day. Johnny Flynn and Dylan O'Brien were fine, but Simon Russell Beale was a surprise. For the small time he was here, I really enjoyed his menacing presence and his chemistry with Rylance. This film has multiple layers of mystery to it, and it was a joy to watch them unfold on the screen. However, I believe that there was too much towards the end. I was very satisfied with the twists and
Read the whole review on TMDBI will give any production with Mark Ryland in it a try, ever since I first noticed him in Wolf Hall. I enjoyed this film, with its taut script, realistic dialogue and several plot twists, which I won’t even mention for fear of giving things away. This movie manages to be a noir piece, even though it doesn’t venture out into the dark and moody streets of Chicago. It is a set piece, taking place in one man’s tailor shop. I wonder if a theatrical production on Broadway is inevitable? There are plenty of bad guys to be found here, but with enough shading of humanity as to make us root for a few of them over the others. But the script doesn’t care who you root for — the plot is the plot and it will runs its headlong course and draw us along with it. Despite the periodic outbursts of violence, this is more a drama than a thriller. It reminds me of what Hitchcock is supposed to have said. Suspense isn’t a bomb exploding but rather it is wondering if it will go off. Of course, in thrillers, if you have a bomb, it must explode at some point. This movie isn’t that predictable. The Outfit isn’t just a drama; it is a character study, and Ryland’s character bears up well under the plot’s scrut
Read the whole review on TMDBWhatta film! <em>'The Outfit'</em> is excellent. Second time in roughly three weeks that I've had the pleasure of seeing a Mark Rylance flick on the big screen and again he delivers - such a reliable actor. The other release was <em>'The Phantom of the Open'</em>, which is very good but both the film and Rylance's performance is bettered here. A thoroughly enjoyable showing from him as Leonard Burling. Things start off extremely strongly with a terrific opening scene with Rylance's Burling, so I was praying that it would keep that high level and I'm pleased to say that - in my opinion, of course - it absolutely did. There's a bit at the end that I was initially unsure about, though upon further thought I enjoyed it just as much as the rest. One element of this 2022 production actually stays the same from start-to-finish, I won't say what but early on I thought it may limit proceedings but if anything it just adds to the overall vibe of it all. The support cast, meanwhile, are all faces I didn't know before now, though every one of them give good performances - standouts being Johnny Flynn and Nikki Amuka-Bird.
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Closest on the same fourteen dimensions, from everything scored on Taste Buds. Other media included when they land close.
Recommendations from TMDB. Opening one adds it to Taste Buds
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“Does the smallness hold it back?”
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“Would a little humor have helped?”
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If you loved this film, the television, the book, the music, the game.
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