Rate five things you know, from any shelf. Your archetype shows up in about a minute, and gets sharper with every log.

It's not for everyone.
Frustrated by scrolling dating apps only to end up on lame, tedious dates, Noa takes a chance by giving her number to the awkwardly charming Steve after a produce-section meet-cute at the grocery store.
Sign in to log this.
Spare, intimate, overwhelming and contemporary.
No profiled raters yet.

No reviews yet. Yours would be the first word on it.
Written by TMDB members; each links to the original. Not part of Taste Buds's numbers.
Fresh (2022) is an interesting mix of horror and dark humor, taking a different approach to the usual thriller setup. The plot starts off engaging, following a modern dating experience that quickly spirals into something unexpected. While the premise isn’t exactly new, the way it unfolds keeps things unsettling enough to hold attention. It does lose some of its sharpness as it goes on, leaning a little too much on familiar horror tropes, but it still manages to keep things entertaining. The writing is decent, though some character decisions feel out of place, making certain moments less believable than they should be. The directing is solid, with a good balance of tension and style. There’s an interesting use of close-up shots that add to the unease without feeling forced. The cinematography stands out, using lighting and framing to create an eerie atmosphere that matches the film's tone. The sound design and score do their job well, adding to the creep factor without being overbearing. It’s not the kind of movie where the music steals the show, but it complements the visuals nicely. Acting-wise, Daisy Edgar-Jones carries the film effortlessly, making her character feel natural and
Read the whole review on TMDBFULL SPOILER-FREE REVIEW @ https://www.msbreviews.com/movie-reviews/fresh-spoiler-free-review-sundance-2022 "FRESH is an unforgettably shocking start to another Sundance Film Festival, holding all of the characteristics to end up as one of the absolute favorites. Mimi Cave delivers an extraordinarily captivating, assertive directorial debut, taking Lauryn Kahn's original, gruesome screenplay to the next level. Sebastian Stan demonstrates his ludicrous range, while Daisy Edgar-Jones gives a breakthrough performance that may warrant a couple of awards by the end of the festival. With an extremely engaging yet too quick first act, the viewers are immediately grabbed by the endearing love story that slowly builds up to a brutally impactful revelation, leading the movie into a rabbit hole of (in)tense, suspenseful, surprising developments. The last twenty minutes are the definition of insanity." Rating: A-
Read the whole review on TMDB<em>'Fresh'</em> is very good - strong performances and perfectly chosen music are the main reasons for that. I wouldn't say it's perfect, just because I don't think it nails the split between humour and seriousness but apart from that it's a terrifically made film. Daisy Edgar-Jones and Sebastian Stan give excellent showings, while the music throughout is top notch. It's nicely paced and has an interesting story. Definitely one I'd recommend.
Read the whole review on TMDBChecking availability…
Closest on the same fourteen dimensions, from everything scored on Taste Buds. Other media included when they land close.
Recommendations from TMDB. Opening one adds it to Taste Buds
Answer first; then see how everyone, and your circle, split.
“Is it funnier than it is smart?”
Sign in to answer.
Be the first to answer.
“Is Daisy Edgar-Jones the best thing in Fresh?”
Sign in to answer.
Be the first to answer.
“Is it actually scary?”
Sign in to answer.
Be the first to answer.
| Stream |
|---|
US availability, powered by JustWatch via TMDB. Each chip opens that service’s search for the title. Other regions on JustWatch