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Inspired by the actual files of Father Gabriele Amorth, Chief Exorcist of the Vatican.
Father Gabriele Amorth, Chief Exorcist of the Vatican, investigates a young boy's terrifying possession and ends up uncovering a centuries-old conspiracy the Vatican has desperately tried to keep hidden.
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Resolved, unpretentious, effortless and plot-driven.
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Written by TMDB members; each links to the original. Not part of Taste Buds's numbers.
I was pleasantly surprised at how much I enjoyed The Pope's Exorcist. After initially seeing the trailers, I wrote this movie off as a standard possession film that I have seen time and time again, and while most of that is still true, there is something about this film that made it a joy to watch. The film does not attempt to do anything particularly new or groundbreaking in the genre, but everything it has is handled with care and precision. The direction is fantastic, with a very quick pace that makes each scene have a sense of urgency as our characters attempt to perform the exorcism. There is particularly deep lore that is established within the church structure, with different factions and politics at play that add a slightly different dimension rather than just your run-of-the-mill "insert random priest here." My favorite aspect of the film is the acting. I think all of the adult characters do a tremendous job here. Russell Crowe kills it in every scene he is in and definitely gives an entirely different take on the exorcist character. Where most are intensely serious and melodramatic, Crowe adds a bit of whimsicalness and youth to the character that creates a calming presen
Read the whole review on TMDBWhen you buy a ticket for a movie like “The Pope’s Exorcist” it’s pretty clear what you’re getting into. There’s a ton of Catholic imagery like the rosary, crucifixes, holy water, church rituals, and lots of prayers, all used to fight off the demonic possession of an innocent. All of the standard elements are present here, but director Julius Avery‘s film surprisingly offers a refreshing (if somewhat routine) take on the religious horror subgenre. Elevated by a well thought-out story and an engaging performance from Russell Crowe, the film tells the story of Father Gabriele Amorth (Crowe), Chief Exorcist of the Vatican (and one of the most controversial figures in the Church’s modern era). The script is inspired by the Father’s actual files of his time spent conducting exorcisms for the Catholic Church, which is enough to make your skin crawl. The movie follows Father Amorth as he travels to Spain to investigate a young boy’s (Peter DeSouza-Feighoney) possession by a powerful demon. Aided by local priest Father Esquibel (Daniel Zovatto), Father Amorth tries to help the child before it’s too late. In the process, he uncovers a centuries-old conspiracy that the Vatican has desperatel
Read the whole review on TMDBBased on a real character from the murkier side of quite recent Vatican operations, Russell Crowe dons his cassock and travels to a remote abbey in Spain where his meets with "Fr. Esquibel" (Daniel Zovatto). Why? Well it seems that a young boy is being possessed by a singularly nasty demon. Now Fr. Amorth is not unused to these scenarios and is also aware that the vast majority of these situations have nothing to do with satanic practices and more to do with mental health issues. Quickly, though, he realises that this is a serious and potentially deadly demonisation and both he and his colleague must discover what went on at this place and just who their violent foe is, before they can have any hope of casting it back into the shadows. That's the plot, and to be fair Crowe actually plays his character with a bit of charisma, but the rest of this is the same old loudly scored, visual effects feast with plenty of routine dramatic scenes: screaming, eye-popping, ceiling climbing, bodies and holy water thrown about the place and this one even has a bit of the Spanish Inquisition thrown in for added authenticity. It's not that is terrible - it isn't; it is just all so very derivative. J
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