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Five young New Yorkers throw their friend a going-away party the night that a monster the size of a skyscraper descends upon the city. Told from the point of view of their video camera, the film is a document of their attempt to survive the most surreal, horrifying event of their lives.
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Unpretentious, plot-driven, overwhelming and bleak.

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A few lines from each review; the whole review is on the critic's site. Not part of Taste Buds's numbers.
“Cloverfield” is nominally a monster movie, but mostly it’s a feature-length gimmick.
Data provided by The New York Times.
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Companions we picked from the closest works, and how to take them.
Closest on the same fourteen dimensions, from everything scored on Taste Buds. Other media included when they land close.
Recommendations from TMDB. Opening one adds it to Taste Buds
Answer first; then see how everyone, and your circle, split.
“Does the found-footage conceit help or hurt?”
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“Is Cloverfield emotionally manipulative?”
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“Are the characters only there to move the plot?”
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27 profiled raters. Loved most by The Provocateurs; disliked most by The Genre Devotees.
If you loved this film, the television, the book, the music, the game.
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