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Mommy loves you to death.
A reunion between two estranged sisters gets cut short by the rise of flesh-possessing demons, thrusting them into a primal battle for survival as they face the most nightmarish version of family imaginable.
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Bleak, unpretentious, relentless and resolved.
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Written by TMDB members; each links to the original. Not part of Taste Buds's numbers.
As contemporary horror films go, I’ll freely admit that this is a genre about which I couldn’t care less. I find most of these films boring, predictable, stupid and not especially scary. In fact, the only ones to which I’ll even give a second look are smart horror films (like “Get Out” (2017) or “Annihilation” (2018)) or campy romps (like “Renfield” (2023)). So the fact that I somehow managed to sit through this trash heap is quite an accomplishment. (Actually, the only reason I watched was because I was channel surfing and there was nothing else on, so I decided to give it a chance (I would have been better turning on the radio).) This pointless parade of endless blood and gore is a prime example of the decline of the mainstream movie industry (how projects like this get greenlighted is beyond me, except, of course, for the obvious box office considerations). It’s so utterly ridiculous that the picture plays like something that was made up as the crew went along. I’ll admit that there was some modestly cheeky humor here, but not enough to make it a genuine camp fest. Writer-director Lee Cronin’s latest is an assault on the art of filmmaking, the kind that should carry fines and ot
Read the whole review on TMDBEvil Dead Rise puts a creative spin on the classic franchise while also remaining faithful to the core experience. The story is not overly complex and admittedly somewhat generic, as the main characters find the Book of the Dead, read it, and all hell breaks loose. But the conditions surrounding this plot are what truly set it apart. For one, the high-rise setting was brilliant and created a very claustrophobic environment that worked really well. I found the earthquake to be an original idea not only for the discovery of The Necronomicon but also for the entrapment of our main characters. Speaking of our cast, this film does a really great job of setting up these characters. I genuinely liked all of them, which made it difficult to see some of them go, unlike in Evil Dead (2013). The familiar bond between them was palpable, and this could not have been done without a fantastic cast. Alyssa Sutherland is by far my favorite Deadite in the entire franchise. Her motherly connection was haunting, her facial expressions, and mannerisms are nightmare fuel. Lily Sullivan was genuinely fantastic as a final girl. Her badass nature to defend the children is incredible, and she had some reall
Read the whole review on TMDBThis is certainly a triumph for the visual and audio effects folks. Otherwise, I found it all a bit derivative and frankly a rather classless rehash of the much more entertaining original. It's tough to just keep on re-inventing these themes - they do tire, and as I reckon with the recent updates of the "Halloween" franchise, they maybe just rely too heavily on a current generation who were not around to see the originals in the cinema first time round, and who maybe just don't appreciate that the acting and the writing - though never exactly crucial to these plots - did have more of a role than just relying on well made-up (virtual) demons spinning around the ceiling emitting threatening shrieks. It's not terrible - it moves along quickly for ninety minutes and might just put you off a bath anytime shortly afterwards, but there just isn't any real sense of menace or jeopardy and to be honest I wasn't entirely sure that the family weren't nightmarish enough - before their visitor arrived. Perfectly watchable on the telly around Halloween with a drink in your hand, and it's a sort of gift that keeps on giving because you'll be able to watch it again the next year without the faintes
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“Is Lily Sullivan the best thing in Evil Dead Rise?”
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