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Paris, France. Fred and his colleagues, members of the BPM, the Police Child Protection Unit, dedicated to pursuing all sorts of offenses committed against the weakest, must endure the scrutiny of Melissa, a photographer commissioned to graphically document the daily routine of the team.
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Prestige, overwhelming, bleak and demanding.
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“Polisse,” from Maïwenn, illuminates French society with a toughness and fidelity that few other recent movies have dared.
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“Is Polisse emotionally manipulative?”
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“Is this Maïwenn's best work?”
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“Is Polisse prestige bait?”
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