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Love isn't dead.
Hapless Agnes repeatedly falls for the wrong guy, dies a grim death, and is reincarnated a century later. As she experiences romantic misfortune spanning various eras, Agnes aims to avoid repeat mistakes and finally break the cycle.
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Comic, raw, plot-driven and ironic.
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Written by TMDB members; each links to the original. Not part of Taste Buds's numbers.
Alice Lowe did virtually everything in this quirky drama about the immortal "Agnes" who travels through time desperate to reunite with an highwayman (Aneurin Bernard) who robbed her sometime in the 17th century. Snag is - every time she manages to engineer a scenario when they can be together, she ends up dead! We reset, and moving steadily through time we encounter her in different guises and him likewise evolving, ultimately into a jaded rock star. Along the way, she is guided by the omnipresent "Scipio" (Jacob Anderson) who plays a role similar to one of Shakespeare's fools, by her maid/best pal "Meg" (Tanya Reynolds) and slightly bonkers husband (Nick Frost) as loads of daft adventures ensue. It's a sort of hybrid of Peter Greenaway meets Terry Gilliam this, with shades of "Monty Python" as the humour has a slapstick goriness to it that starts off quite funny but all too quickly runs out of steam. Indeed, this really is the problem with this, It's more of a short story that's been drawn out to fill ninety minutes. Once the point has been made and the joke established, it seems content just to shift the timeline and then tell us a similar story all over again. I did like the pre
Read the whole review on TMDBAlice Lowe’s Timestalker initially grabbed my attention with its promising premise—especially since I had really enjoyed her previous film, Prevenge. The quirky and darkly comic style Lowe brought to that project had me expecting another sharp, unique movie here. Unfortunately, despite its inventive concept, Timestalker ran out of steam much earlier than I hoped. The idea of a time-travelling love obsession spanning centuries should offer a lot of comedic material. Still, the film quickly exhausts its best jokes, leaving a narrative that lacks momentum. While there are some fun moments early on, and Lowe’s distinctive style is clear, the pacing feels uneven, and much of the humour doesn’t sustain itself throughout the film. I wanted to love this as much as Prevenge, but Timestalker didn’t quite deliver on its potential.
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“Critics gave Timestalker 72 on Metacritic; IMDb users give it 5.5/10. Are the critics right?”
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“Is it funnier than it is smart?”
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“Is the roughness the point?”
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If you loved this film, the television, the book, the music, the game.
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