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It's all about women... and their men!
From the moment she glimpses her idol at the stage door, Eve Harrington is determined to take the reins of power away from the great actress Margo Channing. Eve maneuvers her way into Margo's Broadway role, becomes a sensation and even causes turmoil in the lives of Margo's director boyfriend, her playwright and his wife. Only the cynical drama critic sees through Eve, admiring her audacity and perfect pattern of deceit.
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Meticulous, prestige, character-led and spare.

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Written by TMDB members; each links to the original. Not part of Taste Buds's numbers.
Celeste Holm ("Karen") takes pity on stage-door groupie "Eve" (Ann Baxter) when, after the umpteenth time, she encounters her hanging around waiting for the departure of stage star "Margo Channing" (Bette Davis). She decides to take her in and introduce her to her feisty idol. "Channing" - despite the rather brusque protestations of her assistant "Birdie" (a lovely effort from Thelma Ritter) - and writer "Richards" (Hugh Marlowe) take a bit of a shine to this endearing young woman who proceeds to regale them with a rather sad story explaining her current predicament. Next thing we know, "Eve" has ingratiated herself into the home of her new - and increasingly frustrated - mentor, and - well is she quite what she seems? Davis is at the top of here game in this drama. Her characterisation of the ageing star is potent and poignant - especially when she hosts a welcome home party for her soon-to-be husband "Simpson" (Gary Merrill) and the "fasten your seatbelts" quote is unleashed to devastating cinematic effect. Holm is also really quite effective as the conduit between these two women, but it is really Baxter who steals the show. You just know she can't be as pure and innocent, as sw
Read the whole review on TMDB**Fasten your seat belts: this is one of the best films of the 20th century.** There aren't many perfect movies: At least, I don't know many. However, this film is almost certainly one of them. The result of an ideal combination of factors, which harmoniously came together to make it a work of art, it is a timeless film that is as pleasantly watched today as it was fifty years ago. But when we talk about classic films, it's far from being one of the first to come to mind. What is the reason? It's hard to explain, but I feel like the film never really touched the hearts of the general public. The film deserves more attention these days and is worth seeing. I'm not one of those who measure the quality of a film by the awards it receives (although that is always an indicant to consider as to quality)... but the film is one of the most nominated for the Oscars, with fourteen nominations, something that has only rarely been equaled, and six statuettes won, including Best Picture. The film begins by showing us a ceremony in which an actress, Eve, receives an important award for her performance in the theater. Then, the action goes back a year to, in flashback, let us know everything that
Read the whole review on TMDBExcellent performances by everyone, especially Bette Davis, Anne Baxter and George Sanders, which kept me captivated more so than the story, though the dialogue was amazing. Nothing fantastic all in all but still entertaining. **4.0/5**
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Companions we picked from the closest works, and how to take them.
Closest on the same fourteen dimensions, from everything scored on Taste Buds. Other media included when they land close.
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“Is Bette Davis the best thing in All About Eve?”
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“Is All About Eve better than Sleuth?”
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“Is the polish hiding a lack of heart?”
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24 profiled raters. Loved most by The Prestige Hunters; disliked most by The Genre Devotees.
If you loved this film, the television, the book, the music, the game.
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