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Drama, Thriller 122 min PG
Rotten Tomatoes97%Metacritic97IMDb
...Blanche, who wanted so much to stay a lady...
A disturbed, aging Southern belle moves in with her sister for solace — but being face-to-face with her brutish brother-in-law accelerates her downward spiral.
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Overwhelming, intimate, prestige and bleak.
20 profiled raters. Loved most by The Prestige Hunters.
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Written by TMDB members; each links to the original. Not part of Taste Buds's numbers.
"I've always relied on the kindness of strangers." - Blanche Du Bois Blanche Dubois has had some problems back home. She rides into New Orleans on a streetcar to stay with her sister Stella and her brutish husband Stanley. It's an immediate clash of cultures as Blanche and Stanley butt heads. Though their ideology is different there is also an undeniable sexual tension around them as well. That tension continues to build to tragic effects. To call this film one of the all time greats almost seems like an understatement. Based on the Pulitzer Prize winning play by Tennessee Williams, it ushered in a more mature dramatics that film needed. It also was important as a new kind of acting style. Marlon Brando had made the film "The Men" the previous year, but it was this movie that projected him to the forefront of his generation of actors. Vivian Leigh matches him as Blanche. She is strong, but incredibly fragile. Leigh, Karl Malden, and Kim Hunter all won acting Oscars. Ironically the most magnetic performance of Brando was only nominated. This is probably in my Top Ten films of all time._italic text_
Read the whole review on TMDB_**Interesting themes, but an overrated melodrama**_ Released in late 1951 and directed by Elia Kazan based on Tennessee Williams play, "A Streetcar Named Desire" stars Vivien Leigh as the neurotic Blanche DuBois, who moves in with her sister (Kim Hunter) in the French Quarter of New Orleans where she is antagonized by her brutish brother-in-law, Stanley (Marlon Brando). As she seeks a relationship with one of Stanley's friends (Karl Malden) her reality crumbles around her. The story is thematically rich and I enjoy evaluating and interpreting it. For instance, Blanche represents the dying Southern aristocracy, its airs of sophistication, its morality and delusions of superiority, whereas Stanley Kowalski represents the simple primal world of working class immigrants and the moral decay of modern society or, at least, its veneer of morality (which is the root of legalism). But the way the conflict between Blanche and Stanley plays out shows that Williams doesn't advocate either side, which leaves the audience uncertain on who to support. While Blanche's initial arrogance shouldn't be condoned and deserved rebuked, I squarely side with Blanche as Stanley's ongoing (and increasing) a
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If you loved this film, the television, the book, the music, the game.
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